The chance finding of a 1960 album on a long-gone American indie label led Phil Hebblethwaite into the enormous sound world of the supremely talented French composer Lili Boulanger, who set Psalms to music and might have written a requiem for her own death in 1918 at the tragically young age of 24
A classic of film scores, Albinoni’s Adagio isn’t a lost baroque masterpiece; it’s a spoof composed by his biographer in the 1950s. Harmless fun, asks Phil Hebblethwaite, or a savage exposé of classical music’s obsession with authenticity and dead men?