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Stephanie Boland sits down with the veteran writer and filmmaker to discuss the life-changing effects of the London Overground, the apparent death of the novel, the relationship between cinema and architecture, and putting together his new book - 70x70. Unlicensed Preaching: A Life Unpacked In 70 Films
Stephanie Boland sits down with the veteran writer and filmmaker to discuss the life-changing effects of the London Overground, the apparent death of the novel, the relationship between cinema and architecture, and putting together his new book - 70x70. Unlicensed Preaching: A Life Unpacked In 70 Films
Stephanie Boland gets into the myriad complexities of The Mountain Goats' John Darnielle's world-within-a-world, game-within-a-book debut novel, Wolf in White Van, finding a not unfamiliar cast of characters and references, teen angst made something more potent and a powerful treatise on memory
Stephanie Boland gets into the myriad complexities of The Mountain Goats' John Darnielle's world-within-a-world, game-within-a-book debut novel, Wolf in White Van, finding a not unfamiliar cast of characters and references, teen angst made something more potent and a powerful treatise on memory
Sponsorship by a disgusting sweet and milky booze might make it superficially seem rather naff, even obvious and sexist, but the Baileys Women's Prize For Fiction is still unfortunately necessary, argues Stephanie Boland
Sponsorship by a disgusting sweet and milky booze might make it superficially seem rather naff, even obvious and sexist, but the Baileys Women's Prize For Fiction is still unfortunately necessary, argues Stephanie Boland
With 'riverrun', the newest in a long line of artistic adaptations of Joyce's famously-less-than-permeable novel, currently playing at the National Theatre Stephanie Boland considers the difficulties of adapting and interpreting Finnegans Wake and Olwen Fouéré's production
With 'riverrun', the newest in a long line of artistic adaptations of Joyce's famously-less-than-permeable novel, currently playing at the National Theatre Stephanie Boland considers the difficulties of adapting and interpreting Finnegans Wake and Olwen Fouéré's production
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