Sean Kitching
A Quietus Interview
The Best Batch Yet? Captain Beefheart’s Doc At The Radar Station Revisited
For Sean Kitching, it's Don Van Vliet's penultimate album, 'Doc At The Radar Station', that best encapsulates his singular artistic vision. As the album turns 40 this month, former manager Gary Lucas, and band member Eric Drew Feldman, recall working with the man
A Quietus Interview
The Best Batch Yet? Captain Beefheart’s Doc At The Radar Station Revisited
For Sean Kitching, it's Don Van Vliet's penultimate album, 'Doc At The Radar Station', that best encapsulates his singular artistic vision. As the album turns 40 this month, former manager Gary Lucas, and band member Eric Drew Feldman, recall working with the man
Television
You Might Also Like: Jordan Peele’s Twilight Zone S2 Reviewed
As Jordan Peele’s Twilight Zone begins a second season, lifelong Twilight Zone fan Sean Kitching considers the history of rebooting the series and asks if this new version does justice to the original, whilst successfully updating its approach for a contemporary audience. Contains mild spoilers
Television
You Might Also Like: Jordan Peele’s Twilight Zone S2 Reviewed
As Jordan Peele’s Twilight Zone begins a second season, lifelong Twilight Zone fan Sean Kitching considers the history of rebooting the series and asks if this new version does justice to the original, whilst successfully updating its approach for a contemporary audience. Contains mild spoilers
Books
Unearthing Ancient Evils: An Interview With Adam Nevill
Following the release of his ninth novel, *The Reddening*, on Halloween, Sean Kitching talks to the three times August Derleth Award winning author about moving to his own imprint, the relationship between folk music and horror and the influence of South Devon’s landscape on his new book
Books
Unearthing Ancient Evils: An Interview With Adam Nevill
Following the release of his ninth novel, *The Reddening*, on Halloween, Sean Kitching talks to the three times August Derleth Award winning author about moving to his own imprint, the relationship between folk music and horror and the influence of South Devon’s landscape on his new book
