For the third instalment of his inexplicably titled 'Poetry Column', Sam Riviere considers the work of - and discusses, among other things, tennis and Žižek karaoke with - five young European poets from July 2015's Zona Nouă festival in Sibiu
For the third instalment of his inexplicably titled 'Poetry Column', Sam Riviere considers the work of - and discusses, among other things, tennis and Žižek karaoke with - five young European poets from July 2015's Zona Nouă festival in Sibiu
In the second instalment of his new column on contemporary poetry (abstractly titled 'Poetry Column'), Sam Riviere considers the writings of Chelsey Minnis, Frederick Seidel & Jon Leon from the starting point of Leon's own seemingly-innocuous declaration — taking in privilege, obscurity vs. self-exposure and the poet's own contempt for poetry en route — ‘Art is redemptive’
In the second instalment of his new column on contemporary poetry (abstractly titled 'Poetry Column'), Sam Riviere considers the writings of Chelsey Minnis, Frederick Seidel & Jon Leon from the starting point of Leon's own seemingly-innocuous declaration — taking in privilege, obscurity vs. self-exposure and the poet's own contempt for poetry en route — ‘Art is redemptive’
In the first instalment of his new column on contemporary poetry (Poetry Column), Sam Riviere examines - via Sontag, Calvino and the convoluted nature of the 'I' - the work of Norwegian poet, artist and possible anti-Knausgård, Audun Mortensen. (Photograph by Václav Jedlička)
In the first instalment of his new column on contemporary poetry (Poetry Column), Sam Riviere examines - via Sontag, Calvino and the convoluted nature of the 'I' - the work of Norwegian poet, artist and possible anti-Knausgård, Audun Mortensen. (Photograph by Václav Jedlička)
Sam Riviere speaks to poet, curator and editor of recently published poetry anthology 'I Love Roses When They're Past Their Best', Harry Burke, about defying borders and boundaries, technological determinism and whether or not poetry should be free
Sam Riviere speaks to poet, curator and editor of recently published poetry anthology 'I Love Roses When They're Past Their Best', Harry Burke, about defying borders and boundaries, technological determinism and whether or not poetry should be free
Sand Avidar travels to Diksmuide for the first performance of Einsturzende Neubauten's Lament, their commemoration of the First World War. In it, he argues, can be seen and heard not just the history of 20th century warfare, but of Neubauten themselves. Photography by Valerio Berdini of Liveon35mm
Out of tragedy came triumph. But that didn’t shake AC/DC out of their state of arrested development – it simply cemented it to capture the joys of adolescence for generations of adolescents to come. Julian Marszalek gets his schoolboy shorts on
Author and journalist Cathi Unsworth talks us through the albums that inspired her new novel Weirdo. This feature will bring dark joy to the hearts of those whose clothes are black, whose lips are purple and whose witches are red
The story of Faust is one of the oddest in modern music, taking in terrorism, nakedness, cement mixers, prison and no small amount of groundbreaking music. Here, in an extract from a new oral history of krautrock, all of the major players remember the band's short, tumultuous and incredibly creative time at Virgin...
Ahead of British Sea Power's soundtracking of Polish animation at the Barbican as part of Kinoteka Film Festival and the release of new album Let The Dancers Inherit The Party, vocalist Scott Wilkinson guides Richard Foster through his favourite albums, from War Of The Worlds to Mighty Sparrow, Pavement and more. Photo by Mayumi Hirata