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Written on a typewriter in the fever dream of high lockdown, Ryan Diduck’s new book for Repeater, *The Limits of Control*, is a restless meditation on discipline and mediation. In this exclusive extract he recalls Ronnie O’Sullivan’s record break at the World Snooker Championship on 21 April 1997
Written on a typewriter in the fever dream of high lockdown, Ryan Diduck’s new book for Repeater, *The Limits of Control*, is a restless meditation on discipline and mediation. In this exclusive extract he recalls Ronnie O’Sullivan’s record break at the World Snooker Championship on 21 April 1997
After her performance at this year's Mutek Festival in Montreal, Ryan Alexander Diduck sits down to talk (and order slipshod tapas) with Kara-Lis Coverdale — an artist who, through her music, resists simplification, invites collaboration and thrives on the power of replication
After her performance at this year's Mutek Festival in Montreal, Ryan Alexander Diduck sits down to talk (and order slipshod tapas) with Kara-Lis Coverdale — an artist who, through her music, resists simplification, invites collaboration and thrives on the power of replication
Edinburgh duo Dalhous have just released their debut full-length via the Blackest Ever Black label, which draws haunted folk forms, electronics and industrial music into its orbit. They speak with Ryan Diduck about the influence of grim weather and the hermetic nature of their work
Edinburgh duo Dalhous have just released their debut full-length via the Blackest Ever Black label, which draws haunted folk forms, electronics and industrial music into its orbit. They speak with Ryan Diduck about the influence of grim weather and the hermetic nature of their work
The recent announcement that the OED had made "GIF" its word of the year prompts Ryan Diduck to consider the similarities of that tiny looping file format to culture in 2012, and why, like Bill Murray in Groundhog Day, being doomed to repeat ourselves might not be entirely a bad thing
The recent announcement that the OED had made "GIF" its word of the year prompts Ryan Diduck to consider the similarities of that tiny looping file format to culture in 2012, and why, like Bill Murray in Groundhog Day, being doomed to repeat ourselves might not be entirely a bad thing
Across a pair of EPs last year and now a new album, Luxury Problems, Manchester's Andy Stott has gradually been sinking techno and house deep into a quagmire of mud and dust. He speaks to Ryan Diduck about the desire to create "something really beautiful"
Across a pair of EPs last year and now a new album, Luxury Problems, Manchester's Andy Stott has gradually been sinking techno and house deep into a quagmire of mud and dust. He speaks to Ryan Diduck about the desire to create "something really beautiful"
Japan-based electroacoustic musician, DJ, lecturer and writer Terre Thaemlitz has just released Soulnessless, a vast audio/video/text project that announces itself as 'the world's first full length mp3 album'. She speaks to Ryan Diduck about the themes, ideas and realities behind such a huge and concept-driven project
Japan-based electroacoustic musician, DJ, lecturer and writer Terre Thaemlitz has just released Soulnessless, a vast audio/video/text project that announces itself as 'the world's first full length mp3 album'. She speaks to Ryan Diduck about the themes, ideas and realities behind such a huge and concept-driven project
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