Support The Quietus
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
Rory Gibb takes a scan through some of the month's best dance music releases, including a stunning new EP from Floating Points, new club-ready 12"s from Soundstream, Equalized and Outboxx, and some bleak stuff from Raime
Rory Gibb takes a scan through some of the month's best dance music releases, including a stunning new EP from Floating Points, new club-ready 12"s from Soundstream, Equalized and Outboxx, and some bleak stuff from Raime
William Bennett's new project Cut Hands finds his music taking new, percussive and punishingly effective new routes post-Whitehouse. Ahead of this weekend's performance at Supersonic, Rory Gibb speaks to him about the development of Afro Noise
William Bennett's new project Cut Hands finds his music taking new, percussive and punishingly effective new routes post-Whitehouse. Ahead of this weekend's performance at Supersonic, Rory Gibb speaks to him about the development of Afro Noise
Kuedo, the producer formerly known as Jamie Vex'd, has made one of the most striking electronic albums of the year in Severant. Rory Gibb speaks to him about his working process, the nature of scenes and past visions of the future
Kuedo, the producer formerly known as Jamie Vex'd, has made one of the most striking electronic albums of the year in Severant. Rory Gibb speaks to him about his working process, the nature of scenes and past visions of the future
Both as Emeralds guitarist and solo, Mark McGuire's instrumentals recall the exploratory spirit of early kosmische synth music, while establishing a distinct identity of their own. He talks to Rory Gibb about the development of his technique, writing music and "the psychedelic nature of all existence"
Both as Emeralds guitarist and solo, Mark McGuire's instrumentals recall the exploratory spirit of early kosmische synth music, while establishing a distinct identity of their own. He talks to Rory Gibb about the development of his technique, writing music and "the psychedelic nature of all existence"