In this month's subscriber essay, novelist Richard Milward travels back 55 years to the cobblestone-strewn streets of Paris, the release of France Gall's album 1968, and discovers how a time of political upheaval had a profound impact on the happy-go-lucky genre of yé-yé
In this month's subscriber essay, novelist Richard Milward travels back 55 years to the cobblestone-strewn streets of Paris, the release of France Gall's album 1968, and discovers how a time of political upheaval had a profound impact on the happy-go-lucky genre of yé-yé
Viz is more than just a very funny comic to long time fan Noel Gardner. But the extent to which it's a vehicle for incisive, leftwing satirical commentary, he says in this subscriber only essay, is something that's open to debate...