Polish trio kIRk create a post-industrial, improvisation-based "soundtrack for sleepwalking, hypnotism, undeath, and all liminal states of consciousness". They meet Pavel Godfrey to discuss last album Zła Krew, losing all their equipment and the evolution of the Polish music scene
Polish trio kIRk create a post-industrial, improvisation-based "soundtrack for sleepwalking, hypnotism, undeath, and all liminal states of consciousness". They meet Pavel Godfrey to discuss last album Zła Krew, losing all their equipment and the evolution of the Polish music scene
Subtext label boss Paul Jebanasam is one of several Bristol-based musicians blurring boundaries between contemporary composition, process-based recording and the colossal physicality of sound system culture. With his debut album just released, he explains to Pavel Godfrey how "melody has a way of surviving everything"
Subtext label boss Paul Jebanasam is one of several Bristol-based musicians blurring boundaries between contemporary composition, process-based recording and the colossal physicality of sound system culture. With his debut album just released, he explains to Pavel Godfrey how "melody has a way of surviving everything"
Pavel Godfrey righteously slams the new decadents who Instagram their meals: "Unless you are a restaurant critic, the contents of your plate are as interesting as the contents of your chamber pot." Cheese photographing editors John and Luke hang their heads in shame
Pavel Godfrey righteously slams the new decadents who Instagram their meals: "Unless you are a restaurant critic, the contents of your plate are as interesting as the contents of your chamber pot." Cheese photographing editors John and Luke hang their heads in shame
The chance finding of a 1960 album on a long-gone American indie label led Phil Hebblethwaite into the enormous sound world of the supremely talented French composer Lili Boulanger, who set Psalms to music and might have written a requiem for her own death in 1918 at the tragically young age of 24
Rory Gibb, Luke Turner and John Doran round up some of the Quietus' favourite Polish experimental records of the year so far, from grinding tectonic plates and noise-blasted techno to jazzy sample collage and creeping dread. Part II to follow soon...