Sarathy Korwar speaks to Patrick Clarke about how Indo-futurism, a colonialist critique of Thomas More’s Utopia, and the invention of his own new circular rhythm system have pushed his practise forwards on ambitious new album KALAK
Sarathy Korwar speaks to Patrick Clarke about how Indo-futurism, a colonialist critique of Thomas More’s Utopia, and the invention of his own new circular rhythm system have pushed his practise forwards on ambitious new album KALAK
Lentils as projectiles, a medieval answer to Kraftwerk’s Autobahn, twin xylophone attack from Mexico City, a post-punk opera about the paranoid mind – Richard Foster and Patrick Clarke report back from another headspinning edition of Utrecht’s Le Guess Who?
Lentils as projectiles, a medieval answer to Kraftwerk’s Autobahn, twin xylophone attack from Mexico City, a post-punk opera about the paranoid mind – Richard Foster and Patrick Clarke report back from another headspinning edition of Utrecht’s Le Guess Who?
After a period of uncertainty and self-doubt following her departure from Goat Girl, Naima Bock has rebounded with a triumphant, communal, and vulnerable record that is equal parts ambitious and inviting. She speaks to Patrick Clarke alongside producer and arranger Joel Burton
After a period of uncertainty and self-doubt following her departure from Goat Girl, Naima Bock has rebounded with a triumphant, communal, and vulnerable record that is equal parts ambitious and inviting. She speaks to Patrick Clarke alongside producer and arranger Joel Burton
Ahead of his appearance at the Barbican, backed by the National Youth Jazz Orchestra, on May 5, Sean Kitching suggests ten points of entry into the back catalogue of the 85-year-old Brazilian composer, multi-instrumentalist and producer known as ‘O Bruxo’ (the Sorcerer)