Having reached a peak of heavy music on last year’s Nature Morte, Montreal’s Big Brave speak to Patrick Clarke about embracing the intensity of quietness on new album A Chaos Of Flowers, and how taking lyrical influence from long-dead poets provided deep political resonance
Having reached a peak of heavy music on last year’s Nature Morte, Montreal’s Big Brave speak to Patrick Clarke about embracing the intensity of quietness on new album A Chaos Of Flowers, and how taking lyrical influence from long-dead poets provided deep political resonance
Lankum’s Ian Lynch speaks to Patrick Clarke about his solo project One Leg One Eye, how debut album …And Take The Black Worm With Me helped him through a period of personal turmoil, why Lankum’s Mercury nomination made him feel “dirty”, and his return to Supersonic Festival this summer
Lankum’s Ian Lynch speaks to Patrick Clarke about his solo project One Leg One Eye, how debut album …And Take The Black Worm With Me helped him through a period of personal turmoil, why Lankum’s Mercury nomination made him feel “dirty”, and his return to Supersonic Festival this summer
Electronic producers but longtime punk, hardcore and metal heads, Blawan and Pariah take Patrick Clarke through the thirteen records that shaped their swerve into heavy music as Persher, from Meshuggah and Napalm Death to Converge and The Dillinger Escape Plan
Electronic producers but longtime punk, hardcore and metal heads, Blawan and Pariah take Patrick Clarke through the thirteen records that shaped their swerve into heavy music as Persher, from Meshuggah and Napalm Death to Converge and The Dillinger Escape Plan
Ahead of a performance at Le Guess Who?, where he also serves as guest curator, Slauson Malone 1 speaks to Patrick Clarke about his new record Excelsior, blending the scientific and the fantastical, and why one’s musical taste should never be trusted
Ahead of a performance at Le Guess Who?, where he also serves as guest curator, Slauson Malone 1 speaks to Patrick Clarke about his new record Excelsior, blending the scientific and the fantastical, and why one’s musical taste should never be trusted