Nikita Velichko travels to Yerevan to investigate the ghostly sites of a children's railway a photobook library and all of the Armenian bands and producers who are playing at a festival there. Photographs by Anna Krtchyan, Danial Hadvai, Kira Kachalina and Jimmy Gyan
Nikita Velichko travels to Yerevan to investigate the ghostly sites of a children's railway a photobook library and all of the Armenian bands and producers who are playing at a festival there. Photographs by Anna Krtchyan, Danial Hadvai, Kira Kachalina and Jimmy Gyan
_Don't_ call it a comeback. Dave Moats explains how Woody Allen's much hyped 'return to form' succeeds despite the filmmaker's considerable legacy hanging over the proceedings. Plus The Quietus collects 10 more bizarre love triangles captured on screen.
When we asked Drew Daniel of Matmos and The Soft Pink Truth for his Baker's Dozen, he refused - and with good reasons. Thirteen of them, to be precise. Here Daniel presents them in an essay titled A Rant Against The Quantification Of Aesthetics. All photographs courtesy of Drew Daniel
American composer George Antheil – the self-proclaimed "bad boy of music" – was a pioneer of sound who had a shot at the big time and blew it. But he found a place in history, putting into practice a trailblazing invention by "the most beautiful woman in the world", Hedy Lamarr
Noel Gardner delivers ten more frowning bales of intemperate earslaughter, including the perfectly executed anarcho punk of Subdued, the oppressively fucked sound of rising Leeds teenagers Narkotyk, and the feral, bare-brick recordings of Vancouver's Bootlicker
While Robert Crumb’s style and dedication to his generation’s underground comix artists has inspired a huge array of artists from a variety of backgrounds and of numerous identities, for decades his depictions and framing of women and his adoption of racist stereotypes have been under fire