Nick Roseblade Archives | Page 2 of 2 | The Quietus

Nick Roseblade

Reviews

Bob Stanley & Pete Wiggs Present the Tears of Technology / Tea and Symphony

Various

Two new comps on Ace Records, The Tears of Technology and Tea & Symphony – The English Baroque Sound 1968 -1974 , show the deft curatorial hand of St Etienne's Pete and Bob

Reviews

MXLX

Serpent

The new MXLX album – their first in two years – matches anything they have previously released, finds Nick Roseblade

Reviews

Hanya

Sea Shoes

Formerly known as Post-Heather, the Sea Shoes EP sees Brighton's Hanya progressing by leaps and bounds, finds Nick Roseblade
Reviews

Princess Nokia

Everything is Beautiful/Everything Sucks

A new double album from Princess Nokia is a game of two halves, finds Nick Roseblade
Reviews

Jeff Parker

Suite for Max Brown

Suite for Max Brown is the new album by Tortoise guitarist Jeff Parker. And it's a transfixing, genre-defying gem of a record, finds Nick Roseblade
Reviews

Squarepusher

Be Up A Hello

Tom Jenkinson drags his collection of vintage synths back out of storage for some classic Squarepusher brutalism, finds Nick Roseblade
Reviews

Void Hands

Split Shapes & Divisive Models

Nick Roseblade struggles with the new Void Hands album – but when he gets into it, he really gets into it
Reviews

Omar Souleyman

Shlon

Syria's number one wedding singer is back with his most cohesive album to date, finds Nick Roseblade
Reviews

Lyzza

Defiance

Lyzza hits her stride on new EP, *Defiance*, finds Nick Roseblade
Reviews

Innercity Ensemble

IV

The new album by Innercity Ensemble is rounded off by the welcome addition of vocals from Jakub Ziolek, finds Nick Roseblade
Reviews

Merzbow, Keiji Haino & Balázs Pándi

Become the Discovered, Not the Discoverer

The second collaboration between Merzbow, Keiji Haino and Balázs Pándi proves surprisingly rifftastic, finds Nick Roseblade
Reviews

John Chantler

Tomorrow is Too Late

Commissioned by Ina-GRM, John Chantler's new album on Room40 deftly deploys space and silence, finds Nick Roseblade
Strange World Of...

The Strange World Of… Chas & Dave

Ahead of the release of Givin’ It That, a ten CD Chas & Dave retrospective, Nick Roseblade explores how the Cockney duo tapped into one version of what it means to be British and what that now means in a time when being British isn't that great

Reviews

Basil Kirchin

Déjà Vu

From intricate jazz to proto-ambient, this compilation of old Basil Kirchin cuts is number one, finds Nick Roseblade
Reviews

Hurtling

Future From Here

Playing guitar with My Bloody Valentine on tour may have influenced Jen Macro's sounds, but there's more to Hurtling's debut than that, finds Nick Roseblade
Reviews

Hide

Hell Is Here

Hide's Hell is Here showcases a group fiercely angry at the world, but the album is still shot through with a stark beauty, finds Nick Roseblade
Reviews

Alexander Noice

Noice

Alexander Noice's new record may appear cacophonous and claustrophobic at first glance, but don't let that fool you – it really is cacophonous and claustrophobic, but underneath that, there's some wild pop inventiveness, finds Nick Roseblade
Reviews

Oh Sees

Face Stabber

Whether its Oh Sees, Orinoka Crash Suite, OCS, Orange County Sound, The Ohsees, The Oh Sees, or Thee Oh Sees, John Dwyer's records can be an enjoyably discombobulating experience, finds Nick Roseblade
Reviews

Joel Oppenheimer / Hans Plomp / Piero Heliczer

On Occasion / Intrepid Traveller / The Autumn Feast

Three new tapes from the Netherlands' Counter Culture Chronicles, featuring the voices of poets Joel Oppenheimer, Hans Plomp, and Piero Heliczer, respectively, offer a set of intimate portraits, finds Nick Roseblade
Reviews

Sharky

Fruit

Sharky's Fruit EP is a day-glo pop adventure, finds Nick Roseblade
Reviews

Chris Brett Bailey

Verbal Battery

On his new spoken word album Chris Brett Bailey goes for a quicker and more direct approach of storytelling, finds Nick Roseblade
Reviews

Orphan Swords

Ascent

Ascent, by Orphan Swords, is a concept album about a mountain – and it's just as ambitious and as ridiculous as that sounds, finds Nick Roseblade
Reviews

School Of Language

45

On the new School of Language album, Field Music's David Brewis takes aim at the piss president. It's a funky affair with bags of melody – but sometimes the gags wear thin, finds Nick Roseblade
Reviews

Various

Seven at 77 2019

The latest Seven at 77 collection offers up another set of musicians creating music without borders to help a meaningful cause, find Nick Roseblade
Reviews

Martin Bartlett

Ankle On / Anecdotal Electronics

Cult electronic music pioneer Martin Bartlett’s work is getting the exposure and retrospective it deserves, finds Nick Roseblade
Reviews

BCUC

The Healing

The third album by Soweto seven-piece BCUC sees them collaborating with Femi Kuti and Saul Williams to exhilarating effect, finds Nick Roseblade
Reviews

Flying Lotus

Flamagra

Flying Lotus returns after a five year break with another flawlessly executed album, but even if we are sure the album is great – is it actually any good? Nick Roseblade ponders
Reviews

Pheeyownah

Silver

The debut album from Swedish singer, producer and dancer Pheeyownah is full of graceful future pop with a gritty heartbeat, finds Nick Roseblade
Reviews

Pink

Hurts 2B Human

With her latest record, pop veteran Pink goes for that elusive classic album. She doesn't quite make it, finds Nick Roseblade
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