For his new album (which streams in full below), George McFall has reverted to his given name, overcoming the need for an alias like Clean George IV. He has also reined in the rock guitars in favour of a more severe synth-driven sound, and found a new target for his sharp satire: himself. Photo by Kimi Gill
For his new album (which streams in full below), George McFall has reverted to his given name, overcoming the need for an alias like Clean George IV. He has also reined in the rock guitars in favour of a more severe synth-driven sound, and found a new target for his sharp satire: himself. Photo by Kimi Gill
Ahead of a special Unsound performance with horns from the Spółdzielnia Muzyczna contemporary ensemble, Mabe Fratti and collaborators I. La Católica and Hubert Zelmer speak to Patrick Clarke about what's destined to be one of the highlights from this year's festival