Mr Agreeable once took a holiday in Southern Bavaria and for reasons that remain unclear has been furious at our Teutonic cousins ever since. Therefore tidings of a new book about German experimental music from the 60s and 70s broke his poached egg...
Mr Agreeable once took a holiday in Southern Bavaria and for reasons that remain unclear has been furious at our Teutonic cousins ever since. Therefore tidings of a new book about German experimental music from the 60s and 70s broke his poached egg...
The Quietus staff are fully occupied moving office today, so we left the website in the capable hands of Mr Agreeable, and suggested he might like to review music from East India Youth, Factory Floor, Sunn O))) and Fat White Family
The Quietus staff are fully occupied moving office today, so we left the website in the capable hands of Mr Agreeable, and suggested he might like to review music from East India Youth, Factory Floor, Sunn O))) and Fat White Family
Our gouty old chum Mr Agreeable rises from his repast in a fit of pique once again, this time enraged by Robin Thicke's sexist videos, Robert Plant joining Twitter, Jack White's restraining order, and Hugh Laurie playing the blues
Our gouty old chum Mr Agreeable rises from his repast in a fit of pique once again, this time enraged by Robin Thicke's sexist videos, Robert Plant joining Twitter, Jack White's restraining order, and Hugh Laurie playing the blues
The Quietus staff are fully occupied moving office today, so we left the website in the capable hands of Mr Agreeable, and suggested he might like to review music from East India Youth, Factory Floor, Sunn O))) and Fat White Family
When asked to write the sleeve notes for a new box set covering the two decade-long career of Kirsty MacColl, Jude Rogers realised that most people tended to associate the singer with two things, yet the story told by See The Girl, is one of artistic richness and talent in the face of an industry that barely cared
The online ticket resale industry is still exploitative and worryingly unregulated. Professor Guy Osborn of Westminster Law School and Professor Mark James of Manchester Law School present their latest research on this controversial practice and make a case for a new Labour government bringing in legislation to deal with it
On the release of soft soap film Peter Doherty: Stranger In My Own Skin, Daniel Dylan Wray asks if music documentaries made in conjunction with their subjects can ever be anything other than a PR exercise, or "doc washing"
The streaming services have become locked into an arms race to see who can own the end of year reveal, says Eamonn Forde. It's just that the artists who are, arguably, being badly treated and the listeners who foot the bill are the ones doing all of the heavy lifting when it comes to branding and marketing
Twenty years on from the release of his first Solo Piano album, Gonzales writes for tQ on his regret that the music he helped to bring into existence now provides easy fodder for streaming algorithms, and piles of cash for a lazy music business.
Ahead of an appearance at Skaņu Mežs festival in Latvia, Derek Walmsley assesses to what extent Ae are unique in the world of electronic music given their live shows represent a space of spontaneous creation while the release of live albums and radio sessions have started to feel as essential as their studio output... if not more so
'Thread head' Jude Rogers has spent decades in thrall to the notorious nuclear war television drama as well as recent months researching and writing a new BBC Radio documentary on it. Here she writes about being a member of an international community of fellow, often neurodiverse, obsessives who find companionship within the horror of its devastating frame