With his work emerging under a dizzying array of interwoven pseudonyms, it can be tough to get a handle on the work of the enigmatic Steven R. Smith. Speaking to Michael Begg about the range of his music, instrument building and deserts, he offers a window into his world
With his work emerging under a dizzying array of interwoven pseudonyms, it can be tough to get a handle on the work of the enigmatic Steven R. Smith. Speaking to Michael Begg about the range of his music, instrument building and deserts, he offers a window into his world
We love it when our subscribers send in suggestions of things for us to talk about – but do we love what they’re suggesting? Is Eurythmics’ soundtrack to the 1984 film 1984 doubleplusgood or does it send John Doran into his own personal Room 101? Find out here.