Public Information recently invited a host of contemporary artists to reinterpret the work of electronics pioneer F.C. Judd. With the resulting compilation just released, Maya Kalev speaks with Holly Herndon, Perc, Ekoplekz, Karen Gwyer and more to discuss their visions of his approach and the enduring appeal of his work
Public Information recently invited a host of contemporary artists to reinterpret the work of electronics pioneer F.C. Judd. With the resulting compilation just released, Maya Kalev speaks with Holly Herndon, Perc, Ekoplekz, Karen Gwyer and more to discuss their visions of his approach and the enduring appeal of his work
Bobby Krlic's second album as The Haxan Cloak takes the spirit of his self-titled debut into synthetic and ethereal space, sending shivers up the spine in the process. He speaks to Maya Kalev about the pleasure of fear and unease
Bobby Krlic's second album as The Haxan Cloak takes the spirit of his self-titled debut into synthetic and ethereal space, sending shivers up the spine in the process. He speaks to Maya Kalev about the pleasure of fear and unease
Berlin's Samuel Kerridge re-casts techno as a sensuous, murky throb, overwhelming the listener with waves of sub-bass and metallic ambience drawn from doom metal and post-punk. He speaks to Maya Kalev about his new EP for Regis' label and the importance of pushing against constraints
Berlin's Samuel Kerridge re-casts techno as a sensuous, murky throb, overwhelming the listener with waves of sub-bass and metallic ambience drawn from doom metal and post-punk. He speaks to Maya Kalev about his new EP for Regis' label and the importance of pushing against constraints
With Aidan Moffat's excellent new record with Bill Wells just out, we sent Daniel Dylan Wray up to Glasgow to meet the former Arab Strap man/Quietus sex columnist to discuss his top formative albums. And, with the help of beers, a record player and one powerful deployment of the phrase "get to utter fuck", here's what he picked