Whether working in Blaxploitation, horror or sc-fi, auteur Larry Cohen was often battling against constraints created by money, time and his own skill set, says Mat Colegate, but ultimately he trained a satirical eye on America few could match
Whether working in Blaxploitation, horror or sc-fi, auteur Larry Cohen was often battling against constraints created by money, time and his own skill set, says Mat Colegate, but ultimately he trained a satirical eye on America few could match
On the 50th anniversary of The Texas Chain Saw Massacre, Mat Colegate pushes back against the common consensus that its director Tobe Hooper spent the rest of his career merely failing to escape its shadow, and argues that he deserves just as much acclaim for the misunderstood filmography that was to follow
On the 50th anniversary of The Texas Chain Saw Massacre, Mat Colegate pushes back against the common consensus that its director Tobe Hooper spent the rest of his career merely failing to escape its shadow, and argues that he deserves just as much acclaim for the misunderstood filmography that was to follow
In this month’s antidote to the algorithm, Mat Colegate goes deep into the bloody realm of Italian schlock scores – Goblin! Libra! Daniele Pattuchi! The soundtrack to that film about PCP maddened animals attacking Frankfurt!
In this month’s antidote to the algorithm, Mat Colegate goes deep into the bloody realm of Italian schlock scores – Goblin! Libra! Daniele Pattuchi! The soundtrack to that film about PCP maddened animals attacking Frankfurt!
Mat Colegate interviews Matthew Holness about his film debut Possum, out this weekend. Learn about how Holness was introduced to the world of horror fiction, the funniness of failure, and then click through to hear Holness talk about his favourite examples of the genre
Mat Colegate interviews Matthew Holness about his film debut Possum, out this weekend. Learn about how Holness was introduced to the world of horror fiction, the funniness of failure, and then click through to hear Holness talk about his favourite examples of the genre
With Clive Barker's Hellraiser celebrating its 30th anniversary this month, Mat Colegate talks to Coil and Cylobe member and horror afficionado Stephen Thrower about Barker's legacy, and the unreleased Coil soundtrack to Hellraiser
With Clive Barker's Hellraiser celebrating its 30th anniversary this month, Mat Colegate talks to Coil and Cylobe member and horror afficionado Stephen Thrower about Barker's legacy, and the unreleased Coil soundtrack to Hellraiser
This weekend The Barbican is presenting a specially re-edited and re-scored presentation of Henri-Georges Clouzot's great lost film The Inferno. We talk to Rollo Smallcombe about the challenges of re-framing one of the great missing movies
This weekend The Barbican is presenting a specially re-edited and re-scored presentation of Henri-Georges Clouzot's great lost film The Inferno. We talk to Rollo Smallcombe about the challenges of re-framing one of the great missing movies
At the sixth edition of Portugal's Semibreve — with performances from Laurel Halo, Kara-Lis Coverdale and Jonathan Saldanha — Mat Colegate finds a festival not without its cathartic frenzy, but with a unique and refined focus, inviting its audience to really experience what's in front of them
At the sixth edition of Portugal's Semibreve — with performances from Laurel Halo, Kara-Lis Coverdale and Jonathan Saldanha — Mat Colegate finds a festival not without its cathartic frenzy, but with a unique and refined focus, inviting its audience to really experience what's in front of them
In this month's Low Culture essay, Jennifer Lucy Allan rewatches the infamous rave episode of 90s TV detective drama Inspector Morse, and discovers that while he might have preferred lunchtime ale to nocturnal pingers, the Oxford detective knew all about a comedown
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale
Recently discovered free jazz gems from Los Angeles and Berlin, orchestral free jazz spiked by West African grooves, folk-jazz tracing the history of indigenous North American Wabanaki people, and dynamic dice-and-splice free jazz assemblages from LA are featured in Peter Margasak’s latest round up of jazz and improvised music.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020