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The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
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