The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
Jakub Knera looks at contemporary electronic sounds, alternative rock and improvised music from Poland in this new column focusing on central and eastern Europe, including the weird electronica of Piotr Kurek and Wojciech Rusin, the new guitar perspectives of Kurws and Trupa Trupa and analyses how the pandemic inspired Resina and Martyna Basta’s latest albums
Drum & bass pioneer Krust takes Neil Kulkarni through the records that shaped him, from the lessons learnt from Public Enemy, Wu-Tang Clan and Yellow Magic Orchestra to the "revelation" of Flying Lotus, via The Beatles, Michael Jackson and more