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Following the return of his ground-breaking ambient techno Gas project with Narkopop after a seventeen-year hiatus and a renewed live presence, Wolfgang Voigt speaks to Maria Perevedentseva about three decades of collapsing the boundaries between the minimal and the maximal, and the popular and the esoteric
Following the return of his ground-breaking ambient techno Gas project with Narkopop after a seventeen-year hiatus and a renewed live presence, Wolfgang Voigt speaks to Maria Perevedentseva about three decades of collapsing the boundaries between the minimal and the maximal, and the popular and the esoteric
At this year's edition of Berlin Atonal, Maria Perevedentseva finds a festival packed with art installations and music ranging from the DJ-friendly to all-out carnage, which – having found its footing so spectacularly in recent years - seems not quite so sure what exactly its next step should be. (Photographs by Camille Blake)
At this year's edition of Berlin Atonal, Maria Perevedentseva finds a festival packed with art installations and music ranging from the DJ-friendly to all-out carnage, which – having found its footing so spectacularly in recent years - seems not quite so sure what exactly its next step should be. (Photographs by Camille Blake)
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