Lawrence English

Cold Comfort: Gil Scott-Heron & Brian Jackson’s Winter In America

Tristan Bath heads back to the 1974 collaborative record and finds an album-cum-social document wrongly resigned to cult status, one whose message remains undimmed 40 years on

Song Of The Digital Flesh: Vocal Manipulation & Our Cyborg Selves

The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies

Reissue Of The Week: Butthole Surfers’ Rembrandt Pussyhorse

For a band as reputedly goofy, slapdash and noisy as Butthole Surfers, isn't it strange just how serious, inventive and occasionally even beautiful their second album is, asks John Doran

Los Campesinos!

Romance Is Boring

TateShots: Exploring Connections Between Music & Art

The Quietus chats to Nicola Probert, creator of an excellent new series of interviews with musicians discussing their involvement with, and appreciation of, the visual arts

Mother-in-DAW: Fawn/Brute By Katie Gately

With her third full-length album, the American experimental artist envelops life experience in solid electronic texture, finds Irina Shtreis

The Thrill And The Hurting: 30 Years Of The Sensual World

Burning fields, black November nights, the swirling beauty of the Uilleann pipes… Matthew Barton examines how Kate Bush made the perfect soundtrack to autumn

Tropical Fuck Storm

A Laughing Death In Meatspace

Torrid and messy: former Drones man Gareth Liddiard gets weirder

Felt Up: Lawrence Of Belgravia Director Interviewed

Having spoken to the documentary's titular subject, Nicholas Abrahams now gets director Paul Kelly's perspective on Lawrence Of Belgravia

Low Culture 1: The Velvet Underground Live In 1969

Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale