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Upon the release of her new album Broken Gargoyles, Diamanda Galás discusses her unflinching exploration of soldiers mutilated by war, the album's roots in the poetry of Georg Heym and the photos of Ernst Friedrich, and why the pandemic was a prompt to live in the moment
Upon the release of her new album Broken Gargoyles, Diamanda Galás discusses her unflinching exploration of soldiers mutilated by war, the album's roots in the poetry of Georg Heym and the photos of Ernst Friedrich, and why the pandemic was a prompt to live in the moment
Kevin Mccaighy takes a close look at one of the most important American independent rock labels of the 80s and 90s, finding ten points of entry into a bewilderingly large back catalogue, in the shape of gems from Unsane, Today Is The Day, Cows and Mudhoney
Kevin Mccaighy takes a close look at one of the most important American independent rock labels of the 80s and 90s, finding ten points of entry into a bewilderingly large back catalogue, in the shape of gems from Unsane, Today Is The Day, Cows and Mudhoney
The Quietus has long been of the opinion that Guttersnipe are one of the most exciting live acts in the UK underground, if not the entire world. Now with debut album My Mother The Vent due out next month on Upset The Rhythm, they have recorded material to match. Kevin McCaighy talks to Urocerus Gigas and Tipula Confusa about their incendiary sound. Garden and living room portraits by Abby Banks
The Quietus has long been of the opinion that Guttersnipe are one of the most exciting live acts in the UK underground, if not the entire world. Now with debut album My Mother The Vent due out next month on Upset The Rhythm, they have recorded material to match. Kevin McCaighy talks to Urocerus Gigas and Tipula Confusa about their incendiary sound. Garden and living room portraits by Abby Banks
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
Glasgow noise-rock quartet Divorce make a hellish, high-frequency no wave racket. With their self-titled debut recently released, they speak to Kevin Mccaighy about touring, spontaneity, and why noise for noise's sake isn't good enough
Glasgow noise-rock quartet Divorce make a hellish, high-frequency no wave racket. With their self-titled debut recently released, they speak to Kevin Mccaighy about touring, spontaneity, and why noise for noise's sake isn't good enough
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