In a piece originally commissioned by The Bug's Kevin Martin, Justin Broadrick follows the release of Godflesh's new album A World Lit Only By Fire by taking a new spin on the Baker's Dozen format and talking Kate Hennessy through his current listening favourites
In a piece originally commissioned by The Bug's Kevin Martin, Justin Broadrick follows the release of Godflesh's new album A World Lit Only By Fire by taking a new spin on the Baker's Dozen format and talking Kate Hennessy through his current listening favourites
Unheard for 200 years, Vivaldi became a star for the second time when an Italian group had a hit album with The Four Seasons in 1955 – the same year that rock & roll exploded. But it was a brilliant 1970 recording by Britain’s Academy of St. Martin-in-the-Fields that, for better or worse, made it truly omnipresent
Last week tQ's Rory Gibb flew to Turin, Italy, for the twelfth edition of the city's annual Club To Club festival, and encountered leather-clad bondage cherubs, high-powered gin cocktails and even higher powered dancefloors. He recounts some of the things he learned...
Gaspar Noé's _Enter the Void_ is a bracing technicolour drug trip through the seedy side of Tokyo, with a belting multilayered soundtrack. The infamous director of _Irreversible_ talks to our Robert Barry about the musical surprises in his latest soundtrack, created with Daft Punk's Thomas Bangalter
Before their appearance at Desertfest at the Camden Underworld this weekend, uber-heavy bass guitar maestros James Bryant and John Atkins of Palehorse salute their favourite bass albums with Kiran Acharya (and even include one that has no bass guitar at all)
As well as being the lynchpin of suited rock howlers Gallon Drunk, James Johnston has played with Nick Cave & The Bad Seeds and PJ Harvey - but we're not going to hold the fact that he's picked both of them for his Baker's Dozen against him. Portrait by Steve Gullick.