If you read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
In a Sunday Times Magazine interview this weekend model Ricki Hall told a journalist that he takes his fashion cues from children and the homeless. Karl Smith considers why it might actually not be okay to transfer the aesthetics of necessity and marginalisation to a position of extreme privilege
In a Sunday Times Magazine interview this weekend model Ricki Hall told a journalist that he takes his fashion cues from children and the homeless. Karl Smith considers why it might actually not be okay to transfer the aesthetics of necessity and marginalisation to a position of extreme privilege
Karl Smith sits down and talks - via the very real and very practical magic of Skype - with Chilean filmmaker, artist and novelist Alejandro Jodorowsky about the social purpose of myth, the tyranny of capitalism and fossil fuel extraction, the art of twitter and his life-long mission to heal himself and the world
Karl Smith sits down and talks - via the very real and very practical magic of Skype - with Chilean filmmaker, artist and novelist Alejandro Jodorowsky about the social purpose of myth, the tyranny of capitalism and fossil fuel extraction, the art of twitter and his life-long mission to heal himself and the world
Had Quasimodo lived his life in a dark, mirrorless sanctuary there's a good chance he'd have considered him self the Paul Newman of Notre-Dame. But, alas, it was not to be. In that spirit, we emerge once again this week, a self-assured Rock Hudson of literary criticism only to find ourselves surrounded by an internet of veritable Steve McQueens. (This is an extended metaphor about how other sites also do good work and the following are examples of that)
Had Quasimodo lived his life in a dark, mirrorless sanctuary there's a good chance he'd have considered him self the Paul Newman of Notre-Dame. But, alas, it was not to be. In that spirit, we emerge once again this week, a self-assured Rock Hudson of literary criticism only to find ourselves surrounded by an internet of veritable Steve McQueens. (This is an extended metaphor about how other sites also do good work and the following are examples of that)
Vanity is cool when you're beautiful and the mirror is reciprocative of your adulation, but there is a world outside (which also often contains windows and even puddles so as not to go too long without catching a glimpse of those architecturally-brutalist cheekbones) which contains other people. In summary: good articles were written recently by other people — here are some of them
Vanity is cool when you're beautiful and the mirror is reciprocative of your adulation, but there is a world outside (which also often contains windows and even puddles so as not to go too long without catching a glimpse of those architecturally-brutalist cheekbones) which contains other people. In summary: good articles were written recently by other people — here are some of them
Extracted from the novel Binary Star, published earlier this year by Two Dollar Radio, Sarah Gerard's prose, both haunted and haunting, possesses a celestial quality seemingly drawn from the beauty of fluttering, astronomical luminescence and the terror of what feels a near-immeasurable vastness. In Binary Star personal reality becomes the vacuum and the horror of the metaphysical numinous abject. (Photograph by Josh Wool)
Extracted from the novel Binary Star, published earlier this year by Two Dollar Radio, Sarah Gerard's prose, both haunted and haunting, possesses a celestial quality seemingly drawn from the beauty of fluttering, astronomical luminescence and the terror of what feels a near-immeasurable vastness. In Binary Star personal reality becomes the vacuum and the horror of the metaphysical numinous abject. (Photograph by Josh Wool)
With his score for The Theory Of Everything recently nominated for a BAFTA, the Icelandic composer talks to Karl Smith about his approach to creating music for the screen and reflects on The Miners' Hymns, the film tracing the decline of the north-east's mining communities, following its tour of the country last year
With his score for The Theory Of Everything recently nominated for a BAFTA, the Icelandic composer talks to Karl Smith about his approach to creating music for the screen and reflects on The Miners' Hymns, the film tracing the decline of the north-east's mining communities, following its tour of the country last year
Sign up for a weekly delve into the tQ archives.
