The Carling Weekend was a rite of passage for many youngsters, but JR Moores got more than he bargained for when he attended Leeds Festival in 2002. He recalls police helicopters, burning portaloos and petulant headliners; and asks "What was that all about?"
The Carling Weekend was a rite of passage for many youngsters, but JR Moores got more than he bargained for when he attended Leeds Festival in 2002. He recalls police helicopters, burning portaloos and petulant headliners; and asks "What was that all about?"
We're really made up that one of our favourite sonic entities, Shit And Shine, has recorded an epic Singularity track for our Sound & Vision subscribers. Here JR Moores talks to Craig Clouse in order to offer a ten track guide to his epic S&S back catalogue
We're really made up that one of our favourite sonic entities, Shit And Shine, has recorded an epic Singularity track for our Sound & Vision subscribers. Here JR Moores talks to Craig Clouse in order to offer a ten track guide to his epic S&S back catalogue
Following last year's mighty Outside The Circle album and the news that Anthroprophh will be playing this year's Desertfest, the band's leader and former Heads man Paul Allen (the hirsute gentleman on the right below) cherrypicks 13 albums from his hefty collection
With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact
A classic of film scores, Albinoni’s Adagio isn’t a lost baroque masterpiece; it’s a spoof composed by his biographer in the 1950s. Harmless fun, asks Phil Hebblethwaite, or a savage exposé of classical music’s obsession with authenticity and dead men?