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Looking at psychological and social power structures and stark capitalist reality through the lens of Candy Crush and YouTube wormholes, Joe Kennedy considers the ideas of productive and unproductive pleasures and sympathy with pretentiousness via Alfie Bown's Enjoying It
Looking at psychological and social power structures and stark capitalist reality through the lens of Candy Crush and YouTube wormholes, Joe Kennedy considers the ideas of productive and unproductive pleasures and sympathy with pretentiousness via Alfie Bown's Enjoying It
With the Labour party reeling from last week's General Election defeat, Joe Kennedy asks if the party rested on its post war laurels just as it kowtowed to neoliberalism, that force he argues is responsible for the 'shittification' of everything
With the Labour party reeling from last week's General Election defeat, Joe Kennedy asks if the party rested on its post war laurels just as it kowtowed to neoliberalism, that force he argues is responsible for the 'shittification' of everything
Battered by Leveson and out of place in a swiftly-changing era of British politics, The Sun is arguably a lesser force than once it was. Yet, argues Joe Kennedy, Katie Hopkins' reprehensible comments on immigration and the complicity of newspaper staff who employ her suggest that as it declines the tabloid is lashing out with increasingly dangerous views
Battered by Leveson and out of place in a swiftly-changing era of British politics, The Sun is arguably a lesser force than once it was. Yet, argues Joe Kennedy, Katie Hopkins' reprehensible comments on immigration and the complicity of newspaper staff who employ her suggest that as it declines the tabloid is lashing out with increasingly dangerous views
SBTRKT's new album Wonder Where We Land represents the apex of dubstep morphed into marketable navel-gazing romantic mithering. Is this closer to nu-folk than you might expect and the sound of post-Olympic Britain, asks Joe Kennedy
SBTRKT's new album Wonder Where We Land represents the apex of dubstep morphed into marketable navel-gazing romantic mithering. Is this closer to nu-folk than you might expect and the sound of post-Olympic Britain, asks Joe Kennedy
Resisting ideological efforts to brand the countryside as a place of safe, reassuring conservativism, argues Joe Kennedy, a host of art and music in 2013 powerfully emphasised the uncanny and traumatic aspects of rural Britain. Photograph by Luke Turner.
Resisting ideological efforts to brand the countryside as a place of safe, reassuring conservativism, argues Joe Kennedy, a host of art and music in 2013 powerfully emphasised the uncanny and traumatic aspects of rural Britain. Photograph by Luke Turner.
The recent London Contemporary Music Festival, held in a Peckham car park, provoked a debate about the role of leftfield art in deprived areas. Joe Kennedy examines some of the knotty debates around gentrification, the arts, and class in Britain today
The recent London Contemporary Music Festival, held in a Peckham car park, provoked a debate about the role of leftfield art in deprived areas. Joe Kennedy examines some of the knotty debates around gentrification, the arts, and class in Britain today
After UKIP MEP Godfrey Bloom was recorded making racist comments about “bongo bongo land”, Joe Kennedy argues that he is just one example of a breed of right wing "trollitician" whose buffoonery disguises a dark, potent, English misanthropy
After UKIP MEP Godfrey Bloom was recorded making racist comments about “bongo bongo land”, Joe Kennedy argues that he is just one example of a breed of right wing "trollitician" whose buffoonery disguises a dark, potent, English misanthropy
In our latest Wreath Lecture, Joe Kennedy argues that now the flaccid post punk revival of ten years ago is over, in 2012 artists are making music that embraces the imperative to move forward and reflect troubled times. Header image: artwork for test pressing of Prurient's Bermuda Drain
In our latest Wreath Lecture, Joe Kennedy argues that now the flaccid post punk revival of ten years ago is over, in 2012 artists are making music that embraces the imperative to move forward and reflect troubled times. Header image: artwork for test pressing of Prurient's Bermuda Drain
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