Before the release of their sixth album this week and appearance at Atonal in Berlin this August, the Death In Vegas head honcho, producer and DJ scours the fruits of his record-collecting history and picks 13 tracks that have informed Transmission for Joe Clay
Before the release of their sixth album this week and appearance at Atonal in Berlin this August, the Death In Vegas head honcho, producer and DJ scours the fruits of his record-collecting history and picks 13 tracks that have informed Transmission for Joe Clay
With their debut album Dying fresh on the shelves yesterday, the Bristol four-piece's Joe Hatt and Adrian Dutt talk to Joe Clay about pushing their abrasive sonics to the limit, putting on gigs in crypts and police cells with their label Howling Owl and why they're hoping their music will have the audience launching cheap booze their way
With their debut album Dying fresh on the shelves yesterday, the Bristol four-piece's Joe Hatt and Adrian Dutt talk to Joe Clay about pushing their abrasive sonics to the limit, putting on gigs in crypts and police cells with their label Howling Owl and why they're hoping their music will have the audience launching cheap booze their way
First there came the blimp, then the graffiti, then the deep web album announcement, then a tQ scribe bound for a secretive listening party to hear Richard D. James' most celebrated guise making a long-awaited return. But is it any good? Joe Clay reports back from the Warp offices
First there came the blimp, then the graffiti, then the deep web album announcement, then a tQ scribe bound for a secretive listening party to hear Richard D. James' most celebrated guise making a long-awaited return. But is it any good? Joe Clay reports back from the Warp offices
As Bronze Teeth, L/F/D/M's Richard Smith and Factory Floor's Dominic Butler craft scorchingly abrasive, gnarled beat tracks inspired by rave sound systems and the patterns of nature. With their debut 12" released this week on Diagonal, they speak to Joe Clay about crowbarring open dance music to uncover new things inside
As Bronze Teeth, L/F/D/M's Richard Smith and Factory Floor's Dominic Butler craft scorchingly abrasive, gnarled beat tracks inspired by rave sound systems and the patterns of nature. With their debut 12" released this week on Diagonal, they speak to Joe Clay about crowbarring open dance music to uncover new things inside
Sound House, a new album by Walls based around interpretations and reworkings of material from Daphne Oram's sound archive, is released this month. Joe Clay caught up with the duo's Sam Willis to discuss the magic within Oram's pioneering experiments in electronic sound
Sound House, a new album by Walls based around interpretations and reworkings of material from Daphne Oram's sound archive, is released this month. Joe Clay caught up with the duo's Sam Willis to discuss the magic within Oram's pioneering experiments in electronic sound
Following last night’s news that Slowdive have reformed, founder members Neil Halstead and Rachel Goswell talk exclusively to tQ about re-learning the old songs, advances in guitar pedal technology, the possibility of a new Slowdive album and why this time it's all about having fun
Following last night’s news that Slowdive have reformed, founder members Neil Halstead and Rachel Goswell talk exclusively to tQ about re-learning the old songs, advances in guitar pedal technology, the possibility of a new Slowdive album and why this time it's all about having fun
In 2002, James Johnston, Gallon Drunk singer/guitarist, former Bad Seed and member of Lydia Lunch’s Big Sexy Noise, worked as an actor on two projects by Ken Russell. Here, he looks back on working with the late, great British director, who died on Sunday
Ahead of their Quietus Social show in support of Alexander Tucker, Eden Tizard speaks to Gentle Stranger about audience responses, the dialogue between a musician and non-musician approach, and their own post-clown ethos. Pictures by Daniel Gatenio