This summer's Steam Days album found Norfork's Nathan Fake continuing to sink deeper into his own idiosyncratic and woozy take on techno and electronica. In advance of a tour with Orbital next month, he speaks to Jim Keoghan about folk ethics and working solo
This summer's Steam Days album found Norfork's Nathan Fake continuing to sink deeper into his own idiosyncratic and woozy take on techno and electronica. In advance of a tour with Orbital next month, he speaks to Jim Keoghan about folk ethics and working solo
From a love for choral music inspired by his grandmother, to discovering Steve Reich at school, setting up a label just to release SD Laika and seeing Cocteau Twins on Top Of The Pops 2, Visionist picks the thirteen albums that made him the artist he is today
Recorded in sessions open to the public as part of an art installation at Somerset House and released tomorrow as her ninth studio album, The Hope Six Demolition Project is an "abrasively straightforward" follow up to Let England Shake, writes Ed Power.