This summer's Steam Days album found Norfork's Nathan Fake continuing to sink deeper into his own idiosyncratic and woozy take on techno and electronica. In advance of a tour with Orbital next month, he speaks to Jim Keoghan about folk ethics and working solo
This summer's Steam Days album found Norfork's Nathan Fake continuing to sink deeper into his own idiosyncratic and woozy take on techno and electronica. In advance of a tour with Orbital next month, he speaks to Jim Keoghan about folk ethics and working solo
Reissues of historic free jazz from South African legends the Blue Notes, increasingly sophisticated compositional gambits from virtuoso guitarist Mary Halvorson, finely-tuned intuition from a quartet led by drummer Ches Smith, and solo saxophone evocations of Maria Faust’s childhood memories of an Estonian castle are featured in Peter Margasak’s latest round up of jazz and improvised music
Questing experimental guitar hero Ben Chasny, aka Six Organs Of Admittance, tells Ben Graham about 13 records that influenced his playing and shaped his worldview, from psychedelic Japanese noise rock to American Primitive acoustic fingerpicking