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You Hum It, I’ll Play It: James Ellis Ford Interviewed

After building a home studio the SMD musician and Arctic Monkeys and Depeche Mode producer James Ford picked up no less than 18 instruments – and a microphone – in order to make his beguiling debut LP. Words by Jeremy Allen. All portraits by Pip Bourdillon
Reviews

Dave Lombardo

Rites Of Percussion

Slayer's sticks man takes the drum-only album to new heights of intensity, finds Jeremy Allen
Reviews

Uh

Humanus

The London duo choose to leave the rough edges on their unique interprettion of neo-Celtic cybernetic folk, finds Jeremy Allen
Books

Private Lives: Ian Penman On Rainer Werner Fassbinder

With his new book shortly to be published by Fitzcarraldo, Ian Penman talks Fassbinder, 'negative dandyism' and image addiction with Jeremy Allen
Album of the Week

Different Spirits, Different Truths: On The Romance Of Being By Desire Marea

The South Africa-based artist channels a different kind of medicine on an album of mercurial electronic soul jazz, finds Jeremy Allen
Reviews

Healing Force Project

Drifted Entities (Vol. 2)

Jittery and skittery in equal measure, the latest from Milan's Healing Force Project ramps things up nicely, finds Jeremy Allen
Reviews

Lana Del Rabies

Strega Beata

Despite the punning name, the third album from Phoenix's Sam An welds a fury of noise and pain into some remarkably compelling shapes, finds Jeremy Allen
Anniversary

In Bloom: Einstürzende Neubauten’s Tabula Rasa Revisited

Jeremy Allen looks back to EN's glorious sixth album, Tabula Rasa, and praises the idea of the post-hype masterpiece

Reviews

John Cale

Mercy

At eighty years old, the grand old man of avant-rock remains as… *challenging* as ever, finds Jeremy Allen
Reviews

Ryuichi Sakamoto

12

The latest music from the great Japanese composer offers a frank, diaristic portrait in sound, finds Jeremy Allen
Reviews

Martin Rev

To Live / Les Nymphes

Misunderstood upon their release at the beginning of the century, these two album by Suicide's synths man now sound full of life, finds Jeremy Allen
Reviews

Leftfield

This Is What We Do

Nearly two decades on from *Leftism* and seven years since their last album, Leftfield return with eleven cuts of pumping positivity
Reviews

Mehmet Aslan

The Sun Is Parallel

A thrilling debut from the Swiss-Turkish musician, finds Jeremy Allen
Reviews

Brian Eno

FOREVERANDEVERNOMORE

Eno sings – and finally lays to rest any suggestions that the ambient godfather is 'not a musician', finds Jeremy Allen
Reviews

Sun Ra Arkestra

Living Sky

The Arkestra return with more cosmic tones on their second album since the departure of the great Sun Ra
Art

Speech Recognition: The Voice Gem System Of Harry Yeff & Trung Bao

In a basement gallery under London's Oxford Street, Jeremy Allen discovers a cache of precious stones formedfromthe voices of Ai Weiwei, Lily Cole and Sir Geoff Hurst
Reissue of the Week

Reissue Of The Week: Chemical Brothers – Dig Your Own Hole

It's easy to be sniffy about the Chems, says Jeremy Allen, but going back to Dig Your Own Hole now shows that they were bang on the money

Reviews

Pyrolator

Niemandsland

Kurt Dahlke (of DAF and Der Plan) offers up more new lands – and the landscape is lovely to behold, finds Jeremy Allen
Reviews

Stephen Mallinder

Tick Tick Tick

Ex-Cabaret Voltaire man on his usual fine form, coming up with a suite of songs that would not have sounded out of place coming from his old band, finds Jeremy Allen
Strange World Of...

The Strange World Of… Einstürzende Neubauten’s Alexander Hacke

Jeremy Allen talks to the Einstürzende Neubauten mainstay about early forays into electronic and industrial as well as drunken country and western plus an album inspired by the joys of Blackpool. All photographs courtesy Alexander Hacke
Anniversary

Fuck The NME? Mclusky Do Dallas Revisited

Twenty years on, Jeremy Allen revisits Mclusky Do Dallas, and finds a band woefully mistreated by a myopic mainstream music press obsessed with the 'New Rock Revolution'
Reviews

Mark Stewart

Vs

The former Pop Group frontman continues to rail against the world – this time aided and abetted by Mike Watt, Eric Random, Front 242, Stephen Mallinder, and others
Reviews

Yukihiro Takahashi

What, Me Worry? / Tomorrow’s Just Another Day

Two re-issues of classic albums by Yellow Magic Orchestra's Yukihiro Takahashi deserve all your attention, finds Jeremy Allen
Reviews

Sussan Deyhim & Richard Horowitz

Desert Equations: Azax Attra

Originally released in 1986, this Fourth World-ish collaboration between Iranian born Sussan Deyhim and itinerant American Richard Horowitz still sounds ahead of its time, finds Jeremy Allen
Reviews

Stromae

Multitude

Eight years after Racine Carrée, Stromae returns with an album even more beguiling than its predecessor
Reissue of the Week

Reissue Of The Week: Fela Kuti & Ginger Baker Live!

Live! is a good album in spite of the presence of Cream's braggadocious drummer and his unsuitability to playing Afrobeat, says Jeremy Allen
Reissue of the Week

Reissue Of The Week: Killing Joke By Killing Joke

Not only is it the apocalyptic post punk band's finest moment, Killing Joke showcases Dave Grohl at the height of his powers, says Jeremy Allen
Reviews

Sam Evian

Time to Melt

The third album from Figure 8 Studios former inhouse engineer, has all the grooves and breaks in the right places but the studio takes the front seat, finds Jeremy Allen
Baker's Dozen

Constant Companions: Matt Johnson’s Favourite Albums

From a teenage encounter with Pere Ubu in a Wardour Street club, to the comforting effect of classic reggae and his love of Marc Bolan, The The’s Matt Johnson takes Jeremy Allen through his thirteen favourite records
Reviews

Mastodon

Hushed and Grim

More personal, and more melodic than ever before, Mastodon remain as brutal as ever, finds Jeremy Allen
Reissue of the Week

Reissue Of The Week: Faust’s 1971 – 1974 Box Set Reviewed

1971 – 1974 is the definitive statement of Faust, the least krautrock of all the krautrock bands, containing, as it does, the long mythologised missing album. But, asks Jeremy Allen, was it worth the wait?
Anniversary

Concrète Dschungel: Einstürzende Neubauten’s Kollaps At 40

Neubauten's uncompromising debut album ‘Kollaps’ is 40 years old. Jeremy Allen explores the bombed-out terrain of their West Berlin and wonders if, despite the penurious conditions, it was easier to make art then
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