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In this week's Baker's Dozen, Nadine Shah guides Jeremy Allen through favourite albums from Mariah Carey to Fat White Family, along the way discussing her friendship with Amy Winehouse and why Richard Dawson is the only man who should be allowed acoustic guitars at parties
In this week's Baker's Dozen, Nadine Shah guides Jeremy Allen through favourite albums from Mariah Carey to Fat White Family, along the way discussing her friendship with Amy Winehouse and why Richard Dawson is the only man who should be allowed acoustic guitars at parties
It doesn't matter how much you love his solo work, Roxy Music were twice the band after Brian Eno left the fold, says Jeremy Allen in the latest instalment of our lockdown essay series. All photographs from Roxy Music Archive
It doesn't matter how much you love his solo work, Roxy Music were twice the band after Brian Eno left the fold, says Jeremy Allen in the latest instalment of our lockdown essay series. All photographs from Roxy Music Archive
Leading light of the Berlin underground Gudrun Gut guides Jeremy Allen through 13 favourite records - she wanted them all to be Neu! but as there weren't enough, there's the Bad Seeds, Throbbing Gristle, Lana Del Rey and much more. Gudrun Gut portrait by Mv Kummer
Leading light of the Berlin underground Gudrun Gut guides Jeremy Allen through 13 favourite records - she wanted them all to be Neu! but as there weren't enough, there's the Bad Seeds, Throbbing Gristle, Lana Del Rey and much more. Gudrun Gut portrait by Mv Kummer
The legacy of Michael Jackson looked to be assured when he died a decade ago, but further shocking allegations have left him in danger of being “cancelled”. Can all the King of Pop’s horses and all the King’s men put MJ back together again? And, asks Jeremy Allen, to what extent is his legacy worth saving anyway?
The legacy of Michael Jackson looked to be assured when he died a decade ago, but further shocking allegations have left him in danger of being “cancelled”. Can all the King of Pop’s horses and all the King’s men put MJ back together again? And, asks Jeremy Allen, to what extent is his legacy worth saving anyway?
With references galore to Courtney Love, Josh Homme, and Teddy Adorno, Adrian Harte's new book on Faith No More, Small Victories, gives you "pretty much everything you could ever possibly hope to know" about the band, says Jeremy Allen
With references galore to Courtney Love, Josh Homme, and Teddy Adorno, Adrian Harte's new book on Faith No More, Small Victories, gives you "pretty much everything you could ever possibly hope to know" about the band, says Jeremy Allen
25 years on from Suede’s eponymously titled debut, Jeremy Allen rediscovers a record that shares a lineage with glam rock, music hall and Victorian burlesque and is not afraid to explore the underbelly of British sexuality. Photos courtesy of Suede/Pat Pope, John Cheeves, Phillip Williams
25 years on from Suede’s eponymously titled debut, Jeremy Allen rediscovers a record that shares a lineage with glam rock, music hall and Victorian burlesque and is not afraid to explore the underbelly of British sexuality. Photos courtesy of Suede/Pat Pope, John Cheeves, Phillip Williams
Change was in the air in 1998 when a duo from Versailles released an album that did better internationally than it did in France. Jeremy Allen wonders if Moon Safari by Air was the point where Anglo Saxons stopped ignoring the surreptitious delights of French pop
Change was in the air in 1998 when a duo from Versailles released an album that did better internationally than it did in France. Jeremy Allen wonders if Moon Safari by Air was the point where Anglo Saxons stopped ignoring the surreptitious delights of French pop
You’re Under Arrest - the final album of Serge Gainsbourg - is often cited as the one where he tried his hand at hip hop. Jeremy Allen argues that it was more a consolidation of a proto-rap master after years of innovation and petty musical larceny
You’re Under Arrest - the final album of Serge Gainsbourg - is often cited as the one where he tried his hand at hip hop. Jeremy Allen argues that it was more a consolidation of a proto-rap master after years of innovation and petty musical larceny