Jeremy Allen
Reissue of the Week
Reissue Of The Week: Heldon’s Electronique Guerilla review
Back in 1974, Richard Pinhas’ Heldon took musical inspiration from Eno and Fripp in order to become France’s Buzzcocks and Throbbing Gristle all rolled into one. The country’s first modern DIY group laid the foundations for electronic music outside of the snobbery of academia and the restrictive practices of the French music industry, says Jeremy Allen
Reissue of the Week
Reissue Of The Week: Heldon’s Electronique Guerilla review
Back in 1974, Richard Pinhas’ Heldon took musical inspiration from Eno and Fripp in order to become France’s Buzzcocks and Throbbing Gristle all rolled into one. The country’s first modern DIY group laid the foundations for electronic music outside of the snobbery of academia and the restrictive practices of the French music industry, says Jeremy Allen
Strange World Of...
The Strange World Of… Yoko Ono
Despite the predictably & performatively negative reaction the Japanese artist inspires in some critical quarters, it is clear she has been responsible for a cavalcade of bangers over the decades. With a new retrospective at the Tate Modern, Jeremy Allen explores her back catalogue
Strange World Of...
The Strange World Of… Yoko Ono
Despite the predictably & performatively negative reaction the Japanese artist inspires in some critical quarters, it is clear she has been responsible for a cavalcade of bangers over the decades. With a new retrospective at the Tate Modern, Jeremy Allen explores her back catalogue
A Quietus Interview
You Hum It, I’ll Play It: James Ellis Ford Interviewed
After building a home studio the SMD musician and Arctic Monkeys and Depeche Mode producer James Ford picked up no less than 18 instruments – and a microphone – in order to make his beguiling debut LP. Words by Jeremy Allen. All portraits by Pip Bourdillon
A Quietus Interview
You Hum It, I’ll Play It: James Ellis Ford Interviewed
After building a home studio the SMD musician and Arctic Monkeys and Depeche Mode producer James Ford picked up no less than 18 instruments – and a microphone – in order to make his beguiling debut LP. Words by Jeremy Allen. All portraits by Pip Bourdillon
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