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Twenty-five years ago, Ian MacMillan was an arts writer and TV producer witnessing the madness of the YBA's Sensation exhibition first hand. Looking back, he argues it was representative of a shallow yet maximalist moment in British culture
Twenty-five years ago, Ian MacMillan was an arts writer and TV producer witnessing the madness of the YBA's Sensation exhibition first hand. Looking back, he argues it was representative of a shallow yet maximalist moment in British culture
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