The hours Eliza Clark lost manipulating intricate interactions between learned and inherited traits in Paradox's medieval grand strategy RPG are amply repaid in pope-seducing narratives, mad map-making and a new appreciation of why inbreeding is a bad thing
The hours Eliza Clark lost manipulating intricate interactions between learned and inherited traits in Paradox's medieval grand strategy RPG are amply repaid in pope-seducing narratives, mad map-making and a new appreciation of why inbreeding is a bad thing
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale
Recently discovered free jazz gems from Los Angeles and Berlin, orchestral free jazz spiked by West African grooves, folk-jazz tracing the history of indigenous North American Wabanaki people, and dynamic dice-and-splice free jazz assemblages from LA are featured in Peter Margasak’s latest round up of jazz and improvised music.
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020