With his bruxaria sound, DJ K is working at the very limits of Brazilian funk. Eden Tizard dives into his latest album RADIO LIBERTADORA!, exploring the symbolic resonance of the colour purple, new sonic thresholds to adapt to, and a project of revolutionary witchcraft
With his bruxaria sound, DJ K is working at the very limits of Brazilian funk. Eden Tizard dives into his latest album RADIO LIBERTADORA!, exploring the symbolic resonance of the colour purple, new sonic thresholds to adapt to, and a project of revolutionary witchcraft
Coming swiftly after the dissolution of Black Midi, Geordie Greep sets out on his own with an album informed by the music of Latin America, Brazil in particular. Ahead of the release of The New Sound, Eden Tizard speaks to Greep about the audacious new record. Cover photograph by James Potter
Coming swiftly after the dissolution of Black Midi, Geordie Greep sets out on his own with an album informed by the music of Latin America, Brazil in particular. Ahead of the release of The New Sound, Eden Tizard speaks to Greep about the audacious new record. Cover photograph by James Potter
On its 40th anniversary, Eden Tizard explores The Fall’s Perverted By Language, an album where Mark E. Smith turns his focus to the suburbs and its inhabitants. A key record in The Fall saga, featuring a group at a crossroads, on the hunt for a new mode of attack
On its 40th anniversary, Eden Tizard explores The Fall’s Perverted By Language, an album where Mark E. Smith turns his focus to the suburbs and its inhabitants. A key record in The Fall saga, featuring a group at a crossroads, on the hunt for a new mode of attack
Since his passing in 1992, the cult of Russell has almost become a micro industry, and perhaps due to the volume of releases the promise of more may be met with weary indifference, a belief that the essentials must already be among us. Picture Of Bunny Rabbit proves such concerns to be foolhardy says Eden Tizard
Since his passing in 1992, the cult of Russell has almost become a micro industry, and perhaps due to the volume of releases the promise of more may be met with weary indifference, a belief that the essentials must already be among us. Picture Of Bunny Rabbit proves such concerns to be foolhardy says Eden Tizard
Peter ‘Sleazy’ Christopherson’s Threshold HouseBoys Choir in many ways continues the mission of latter day, lunar Coil, says Eden Tizard. This reissue demonstrates his unrelenting push forward, a life in art, a life cornered by instinct
Peter ‘Sleazy’ Christopherson’s Threshold HouseBoys Choir in many ways continues the mission of latter day, lunar Coil, says Eden Tizard. This reissue demonstrates his unrelenting push forward, a life in art, a life cornered by instinct
Ahead of their Quietus Social show in support of Alexander Tucker, Eden Tizard speaks to Gentle Stranger about audience responses, the dialogue between a musician and non-musician approach, and their own post-clown ethos. Pictures by Daniel Gatenio
Ahead of their Quietus Social show in support of Alexander Tucker, Eden Tizard speaks to Gentle Stranger about audience responses, the dialogue between a musician and non-musician approach, and their own post-clown ethos. Pictures by Daniel Gatenio
With a back catalogue of over 50 challenging albums, it might look like there's no particularly easy way of cracking the enigma of the Art Ensemble Of Chicago. Not so, says Eden Tizard, looking back at the group's first ECM album, Nice Guys, which was released 40 years ago this month
With a back catalogue of over 50 challenging albums, it might look like there's no particularly easy way of cracking the enigma of the Art Ensemble Of Chicago. Not so, says Eden Tizard, looking back at the group's first ECM album, Nice Guys, which was released 40 years ago this month
In this month's Low Culture essay, Jennifer Lucy Allan rewatches the infamous rave episode of 90s TV detective drama Inspector Morse, and discovers that while he might have preferred lunchtime ale to nocturnal pingers, the Oxford detective knew all about a comedown
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
It seems odd to argue that a member of one of the most celebrated rock bands of all time, the Velvet Underground, is under-appreciated, says Daniel Dylan Wray in this subscriber only essay, until you consider just how absent he is from conversations about popular music
In our monthly subscriber-only essay Daniel Spicer has a Proustian rush listening to Elvis Presley's career concluding single Way Down, is reminded of the fragility of existence and is catapulted back into a childhood of ageing teds, biker gangs and wyrd Cornish magic...