Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Their unique brand of acid-tinged folk and psychedelic rock has seen the Japanese quintet break free from the constraints of their hometown scene. Derek Robertson meets them in Amsterdam to talk jam sessions, running a label, and why DIY is not necessarily the future
Their unique brand of acid-tinged folk and psychedelic rock has seen the Japanese quintet break free from the constraints of their hometown scene. Derek Robertson meets them in Amsterdam to talk jam sessions, running a label, and why DIY is not necessarily the future
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
As he releases a compilation of music from his 6 Music Sunday Service programme, Jarvis Cocker guides Luke Turner through 13 favourite albums and tells stories of Sheffield clubbing in the 80s, getting bollocked by the BBC for mentioning Thatcher, and why you should never look for messages in musical presents from an ex