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Among drone-folk trips and joyously messed up noise jazz, Daryl Worthington finds the cassette scene has taken a political turn, whether immersive electronics fighting for free time, nostalgia-busting collages, or colonialism attacking text-sound compositions
Among drone-folk trips and joyously messed up noise jazz, Daryl Worthington finds the cassette scene has taken a political turn, whether immersive electronics fighting for free time, nostalgia-busting collages, or colonialism attacking text-sound compositions
A compilation dredged together from a series of private press recordings of the core Wolf Eyes crew collaborating with friends is the perfect weird prism through which to examine the lockdown period we've just been through, says Daryl Worthington
A compilation dredged together from a series of private press recordings of the core Wolf Eyes crew collaborating with friends is the perfect weird prism through which to examine the lockdown period we've just been through, says Daryl Worthington
Daryl Worthington speaks to a tape label expanding the possibilities of footwork, and reviews some of the most intriguing tapes of the Autumn, from world-building electronics to light triggered synthesis and a trumpet/cello/drums power trio
Daryl Worthington speaks to a tape label expanding the possibilities of footwork, and reviews some of the most intriguing tapes of the Autumn, from world-building electronics to light triggered synthesis and a trumpet/cello/drums power trio
*Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never*, the third collaboration between the Japanese artist and the trio of Aaron Turner, Brian Cook and Nick Yacyshyn, is another typically brutal outing, but it’s the subtleties and silences that make it for Daryl Worthington
*Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never*, the third collaboration between the Japanese artist and the trio of Aaron Turner, Brian Cook and Nick Yacyshyn, is another typically brutal outing, but it’s the subtleties and silences that make it for Daryl Worthington
40 years since the first album was released on CD, Daryl Worthington pays tribute to the unique experimental potential of the format, explores how it changed the parameters of the album itself, and wonders why it’s still not thought of as fondly as cassettes and LPs
40 years since the first album was released on CD, Daryl Worthington pays tribute to the unique experimental potential of the format, explores how it changed the parameters of the album itself, and wonders why it’s still not thought of as fondly as cassettes and LPs
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