Daryl Worthington
Cassettes
Spool’s Out: Cassette Reviews For April By Daryl Worthington
Among drone-folk trips and joyously messed up noise jazz, Daryl Worthington finds the cassette scene has taken a political turn, whether immersive electronics fighting for free time, nostalgia-busting collages, or colonialism attacking text-sound compositions
Cassettes
Spool’s Out: Cassette Reviews For April By Daryl Worthington
Among drone-folk trips and joyously messed up noise jazz, Daryl Worthington finds the cassette scene has taken a political turn, whether immersive electronics fighting for free time, nostalgia-busting collages, or colonialism attacking text-sound compositions
Reissue of the Week
Reissue Of The Week: Wolf Eyes V/A – Difficult Messages
A compilation dredged together from a series of private press recordings of the core Wolf Eyes crew collaborating with friends is the perfect weird prism through which to examine the lockdown period we've just been through, says Daryl Worthington
Reissue of the Week
Reissue Of The Week: Wolf Eyes V/A – Difficult Messages
A compilation dredged together from a series of private press recordings of the core Wolf Eyes crew collaborating with friends is the perfect weird prism through which to examine the lockdown period we've just been through, says Daryl Worthington
Cassettes
Spool’s Out: Cassette Reviews For November By Daryl Worthington
Daryl Worthington speaks to a tape label expanding the possibilities of footwork, and reviews some of the most intriguing tapes of the Autumn, from world-building electronics to light triggered synthesis and a trumpet/cello/drums power trio
Cassettes
Spool’s Out: Cassette Reviews For November By Daryl Worthington
Daryl Worthington speaks to a tape label expanding the possibilities of footwork, and reviews some of the most intriguing tapes of the Autumn, from world-building electronics to light triggered synthesis and a trumpet/cello/drums power trio
Album of the Week
In Space No-One Can Hear You: Keiji Haino & SUMAC
*Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never*, the third collaboration between the Japanese artist and the trio of Aaron Turner, Brian Cook and Nick Yacyshyn, is another typically brutal outing, but it’s the subtleties and silences that make it for Daryl Worthington
Album of the Week
In Space No-One Can Hear You: Keiji Haino & SUMAC
*Into This Juvenile Apocalypse Our Golden Blood to Pour Let Us Never*, the third collaboration between the Japanese artist and the trio of Aaron Turner, Brian Cook and Nick Yacyshyn, is another typically brutal outing, but it’s the subtleties and silences that make it for Daryl Worthington
Anniversary
Into The Pre-Gap: Forty Years Of The CD
40 years since the first album was released on CD, Daryl Worthington pays tribute to the unique experimental potential of the format, explores how it changed the parameters of the album itself, and wonders why it’s still not thought of as fondly as cassettes and LPs
Anniversary
Into The Pre-Gap: Forty Years Of The CD
40 years since the first album was released on CD, Daryl Worthington pays tribute to the unique experimental potential of the format, explores how it changed the parameters of the album itself, and wonders why it’s still not thought of as fondly as cassettes and LPs
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Previously Read
Baker's Dozen
Magical Experiences: James Holden’s Favourite Albums
Following last year's feral The Inheritors album, Border Community label head James Holden is about to take his newly developed live show on tour, including to Field Day and Sonar Barcelona. Rory Gibb catches up with him to discuss thirteen favourite and formative albums, improvisation and atheist spirituality
