Ahead of an AV performance at Lunchmeat Festival this month, Prague’s Ursula Sereghy tells Daryl Worthington about how post-humanism rewired her brain, the themes of safety (and lack of it) explored on her new album Cordial, and why playful music can still be deadly serious
Ahead of an AV performance at Lunchmeat Festival this month, Prague’s Ursula Sereghy tells Daryl Worthington about how post-humanism rewired her brain, the themes of safety (and lack of it) explored on her new album Cordial, and why playful music can still be deadly serious
From improvisations that capture the archaeology of the internet to werewolf inspired black metal played with Cajun instruments, roaming synths, sidewinding freakouts and clipped nails, Daryl Worthington dives into the latest cassette releases
From improvisations that capture the archaeology of the internet to werewolf inspired black metal played with Cajun instruments, roaming synths, sidewinding freakouts and clipped nails, Daryl Worthington dives into the latest cassette releases
Daryl Worthington speaks to Turmeric Acid about telepathic collaborations, and reviews tapes of free-wheeling hardanger and Andean flute improvisations, sat nav fall outs, ecstatic noise and more in March’s dive into the cassette scene
Daryl Worthington speaks to Turmeric Acid about telepathic collaborations, and reviews tapes of free-wheeling hardanger and Andean flute improvisations, sat nav fall outs, ecstatic noise and more in March’s dive into the cassette scene
In September’s report from the cassette fringes, Daryl Worthington explores Beirut-founded label Ruptured, and reviews tapes of blistering noise, slinky punk-funk, library music and the self-proclaimed best producer in the Middle East
In September’s report from the cassette fringes, Daryl Worthington explores Beirut-founded label Ruptured, and reviews tapes of blistering noise, slinky punk-funk, library music and the self-proclaimed best producer in the Middle East