Pulp are back with their first new album in nearly a quarter of a century; Jarvis Cocker joins us to talk about More, but also outsider art in America, an attic full of wonder in London and revolution versus violence in Sheffield. Words by Darran Anderson. All portraits by Tom Jackson
Pulp are back with their first new album in nearly a quarter of a century; Jarvis Cocker joins us to talk about More, but also outsider art in America, an attic full of wonder in London and revolution versus violence in Sheffield. Words by Darran Anderson. All portraits by Tom Jackson
As Underworld's discography from 1994 to 2016 receives a 'perfect sound' reissue, Darran Anderson surveys how their frantic, beautiful music both embodied the overwhelm of city life and offered a rapturous escape from it
As Underworld's discography from 1994 to 2016 receives a 'perfect sound' reissue, Darran Anderson surveys how their frantic, beautiful music both embodied the overwhelm of city life and offered a rapturous escape from it
Longplayer is a musical installation that will play for a millennia. Its composer Jem Finer speaks to Darran Anderson about how the differences between this challenge to our sense of human time is, perhaps unexpectedly, closely related to his work in The Pogues
Longplayer is a musical installation that will play for a millennia. Its composer Jem Finer speaks to Darran Anderson about how the differences between this challenge to our sense of human time is, perhaps unexpectedly, closely related to his work in The Pogues
Darran Anderson sifts through all of the glorious rubble of German experimental music, psychedelic rock, avant funk and elektronische of the late 1960s onwards to hail an unbeatable trinity. All photographs by Maria Jefferis
Darran Anderson sifts through all of the glorious rubble of German experimental music, psychedelic rock, avant funk and elektronische of the late 1960s onwards to hail an unbeatable trinity. All photographs by Maria Jefferis
50 years ago, John Cale found himself at Heartbreak Hotel, producing sweet and unhinged music from its rooms. Reassessing Fear, Slow Dazzle and Helen Of Troy, Darran Anderson explores the musician’s remarkable year-long burst of creativity for Island Records, half a century on
50 years ago, John Cale found himself at Heartbreak Hotel, producing sweet and unhinged music from its rooms. Reassessing Fear, Slow Dazzle and Helen Of Troy, Darran Anderson explores the musician’s remarkable year-long burst of creativity for Island Records, half a century on
To understand Lou Reed, we must start with the world in which he grew up, one he was always looking back to and never really wanted to entirely escape, says Darran Anderson, on the release of a set of previously unheard 1965 reel to reel demos
To understand Lou Reed, we must start with the world in which he grew up, one he was always looking back to and never really wanted to entirely escape, says Darran Anderson, on the release of a set of previously unheard 1965 reel to reel demos
The winter solstice is here and we're marking it with a world exclusive: an EP of new music by Roger Robinson and Richard Skelton, available immediately to Sound & Vision subscribers. Darran Anderson talks to the artists about their unique collaboration
The winter solstice is here and we're marking it with a world exclusive: an EP of new music by Roger Robinson and Richard Skelton, available immediately to Sound & Vision subscribers. Darran Anderson talks to the artists about their unique collaboration