Last year, Laura Cannell released her debut album Quick Sparrows Over The Black Earth, which found the fiddle and recorder player drawing on medieval music for her improvisational compositions. She tells Danny Riley about recording in churches and finding kindred spirits in fellow Early Music fans Bass Clef and Charles Hayward in their Oscilanz project
Last year, Laura Cannell released her debut album Quick Sparrows Over The Black Earth, which found the fiddle and recorder player drawing on medieval music for her improvisational compositions. She tells Danny Riley about recording in churches and finding kindred spirits in fellow Early Music fans Bass Clef and Charles Hayward in their Oscilanz project
New York's Endless Boogie couldn't be more aptly named, frying minds with sprawling, blues-tinted jams that seem to chug on forever. With career-best album Long Island just released, Stevie Chick speaks to the band's Paul Major about psychedelic experiences and intuition
Lankum’s Ian Lynch speaks to Patrick Clarke about his solo project One Leg One Eye, how debut album …And Take The Black Worm With Me helped him through a period of personal turmoil, why Lankum’s Mercury nomination made him feel “dirty”, and his return to Supersonic Festival this summer