Support The Quietus
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
Before electronic music pioneer Suzanne Ciani and fellow Buchla synth enthusiast Kaitlyn Aurelia Smith release their new LP, they tell Danny Riley about nature, synaesthesia and the sensory qualities of Sean Connery's voice
Before electronic music pioneer Suzanne Ciani and fellow Buchla synth enthusiast Kaitlyn Aurelia Smith release their new LP, they tell Danny Riley about nature, synaesthesia and the sensory qualities of Sean Connery's voice
Purveyors of explosive live shows and chaotic jams, the Manchester guitar Arkestra talk to Danny Riley about being the new standard bearers for DIY transcendentalism in the UK and finding artistry in the undignified
Purveyors of explosive live shows and chaotic jams, the Manchester guitar Arkestra talk to Danny Riley about being the new standard bearers for DIY transcendentalism in the UK and finding artistry in the undignified
Last year, Laura Cannell released her debut album Quick Sparrows Over The Black Earth, which found the fiddle and recorder player drawing on medieval music for her improvisational compositions. She tells Danny Riley about recording in churches and finding kindred spirits in fellow Early Music fans Bass Clef and Charles Hayward in their Oscilanz project
Last year, Laura Cannell released her debut album Quick Sparrows Over The Black Earth, which found the fiddle and recorder player drawing on medieval music for her improvisational compositions. She tells Danny Riley about recording in churches and finding kindred spirits in fellow Early Music fans Bass Clef and Charles Hayward in their Oscilanz project
Sign up for a weekly delve into the tQ archives.
