Dan Dylan Wray watches Factory Floor, Marie Davidson and Colin Stetson at MUTEK, and considers the importance of fallibility in electronic music under the monolithic shadow of AI. Amnesia Scanner & Freeka Tet photograph by Vivien Gaumand
Dan Dylan Wray watches Factory Floor, Marie Davidson and Colin Stetson at MUTEK, and considers the importance of fallibility in electronic music under the monolithic shadow of AI. Amnesia Scanner & Freeka Tet photograph by Vivien Gaumand
Marc Riley, Craig Scanlon, Paul Hanley and Steve Hanley speak to Daniel Dylan Wray about a new release of archive recordings capturing Slates performed live in its entirety, how it’s helping them regain agency in a world awash with ropey Fall bootlegs, and what Mark E. Smith might have made of their plans
Marc Riley, Craig Scanlon, Paul Hanley and Steve Hanley speak to Daniel Dylan Wray about a new release of archive recordings capturing Slates performed live in its entirety, how it’s helping them regain agency in a world awash with ropey Fall bootlegs, and what Mark E. Smith might have made of their plans
Arrests in Algeria, family blood feuds, unreleasable drone music, permanently broken friendships, magic mushroom vomit... Fat White Family may be poised to release a brilliant new album Forgiveness Is Yours, but as he reveals to Daniel Dylan Wray, the stress of keeping the show on the road is becoming too much for Lias Saoudi. All portraits by Louise Mason
Arrests in Algeria, family blood feuds, unreleasable drone music, permanently broken friendships, magic mushroom vomit... Fat White Family may be poised to release a brilliant new album Forgiveness Is Yours, but as he reveals to Daniel Dylan Wray, the stress of keeping the show on the road is becoming too much for Lias Saoudi. All portraits by Louise Mason
On the release of soft soap film Peter Doherty: Stranger In My Own Skin, Daniel Dylan Wray asks if music documentaries made in conjunction with their subjects can ever be anything other than a PR exercise, or "doc washing"
On the release of soft soap film Peter Doherty: Stranger In My Own Skin, Daniel Dylan Wray asks if music documentaries made in conjunction with their subjects can ever be anything other than a PR exercise, or "doc washing"
As Warp reissues its foundational Artificial Intelligence compilation, Daniel Dylan Wray explores the record's making, impact and legacy, plus the complicated legacy of IDM via interviews with artists featured on the album, other key players, journalists and more
As Warp reissues its foundational Artificial Intelligence compilation, Daniel Dylan Wray explores the record's making, impact and legacy, plus the complicated legacy of IDM via interviews with artists featured on the album, other key players, journalists and more
Black Midi are back with a second album that defies most (if not all) expectations people have of the band. They talk to Dan Dylan Wray about abandoning the jam, embracing the melody and picking up the wok. Home page photograph by Yis Kid
Black Midi are back with a second album that defies most (if not all) expectations people have of the band. They talk to Dan Dylan Wray about abandoning the jam, embracing the melody and picking up the wok. Home page photograph by Yis Kid
Ahead of his excellent latest album, Great Spans of Muddy Time, William Doyle - fka East India Youth, whose debut EP was first ever record released on The Quietus Phonographic Corporation - talks us through his Baker’s Dozen. William Doyle photo by Ryan MacPhail
Ahead of his excellent latest album, Great Spans of Muddy Time, William Doyle - fka East India Youth, whose debut EP was first ever record released on The Quietus Phonographic Corporation - talks us through his Baker’s Dozen. William Doyle photo by Ryan MacPhail
It seems odd to argue that a member of one of the most celebrated rock bands of all time, the Velvet Underground, is under-appreciated, says Daniel Dylan Wray in this subscriber only essay, until you consider just how absent he is from conversations about popular music
It seems odd to argue that a member of one of the most celebrated rock bands of all time, the Velvet Underground, is under-appreciated, says Daniel Dylan Wray in this subscriber only essay, until you consider just how absent he is from conversations about popular music
From ignorant farmers to making one of 2018’s most revered records, Low and producer Kramer talk to Daniel Dylan Wray about the making of I Could Live In Hope, the album that started it all off, ahead of their appearance at this year's Rewire festival in The Hague
From ignorant farmers to making one of 2018’s most revered records, Low and producer Kramer talk to Daniel Dylan Wray about the making of I Could Live In Hope, the album that started it all off, ahead of their appearance at this year's Rewire festival in The Hague
As ADULT. prepare to tour Europe, Nicola Kuperus and Adam Miller tell Daniel Dylan Wray about their 13 favourite albums drawn from the tough and leather side of life, from Throbbing Gristle to Nitzer Ebb, Einstürzende Neubauten to Drexciya
As ADULT. prepare to tour Europe, Nicola Kuperus and Adam Miller tell Daniel Dylan Wray about their 13 favourite albums drawn from the tough and leather side of life, from Throbbing Gristle to Nitzer Ebb, Einstürzende Neubauten to Drexciya
After seven years of techno, post-punk, industrial noise, polyrhythms, mangled vocals and brain-melting live shows, the mighty Blood Sport have called it a day. Just a few months after the release of their ‘Harsh Realm’ EP on Helena Hauff’s Return To Disorder label, Alex Keegan, Nick Potter and Sam Parkin play one last show at the Leadmill.
After seven years of techno, post-punk, industrial noise, polyrhythms, mangled vocals and brain-melting live shows, the mighty Blood Sport have called it a day. Just a few months after the release of their ‘Harsh Realm’ EP on Helena Hauff’s Return To Disorder label, Alex Keegan, Nick Potter and Sam Parkin play one last show at the Leadmill.
Strange and brilliant music scenes are thriving in fecund pockets of creativity across the UK - especially outside of London, where costs are lower, gentrification is slower and networks are stronger. Ahead of our tQ Future Forum panel this Thursday, Daniel Dylan Wray talks to musicians and industry stalwarts about surviving and thriving in the provinces.
Strange and brilliant music scenes are thriving in fecund pockets of creativity across the UK - especially outside of London, where costs are lower, gentrification is slower and networks are stronger. Ahead of our tQ Future Forum panel this Thursday, Daniel Dylan Wray talks to musicians and industry stalwarts about surviving and thriving in the provinces.
Following last year's feral The Inheritors album, Border Community label head James Holden is about to take his newly developed live show on tour, including to Field Day and Sonar Barcelona. Rory Gibb catches up with him to discuss thirteen favourite and formative albums, improvisation and atheist spirituality