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The latest in a glut of films which blur the boundaries between documentary and fiction, _Catfish_ chronicles a social networking encounter too strange to be believed. Daniel Nixon thinks the film, out on DVD this week, perfectly captures the illusory nature of online relationships and all of their pitfalls, even if it stands on morally shaky ground.
The latest in a glut of films which blur the boundaries between documentary and fiction, _Catfish_ chronicles a social networking encounter too strange to be believed. Daniel Nixon thinks the film, out on DVD this week, perfectly captures the illusory nature of online relationships and all of their pitfalls, even if it stands on morally shaky ground.
In Oliver Stone's _Wall Street_, Gordon Gekko embodied the reckless buccaneer capitalism of 1980s Wall Street traders but can the sequel adapt to the more complex moral gray area of the recent financial crisis? Daniel Nixon talks father figures, Faust and financial packages
In Oliver Stone's _Wall Street_, Gordon Gekko embodied the reckless buccaneer capitalism of 1980s Wall Street traders but can the sequel adapt to the more complex moral gray area of the recent financial crisis? Daniel Nixon talks father figures, Faust and financial packages
_Skeletons_, showing this week at the Branchage Film Festival, is a quirky and surreal comedy with a strong, very British pedigree. Daniel Nixon wonders why it’s so hard for the mainstream British film press to promote more homegrown gems like this.
_Skeletons_, showing this week at the Branchage Film Festival, is a quirky and surreal comedy with a strong, very British pedigree. Daniel Nixon wonders why it’s so hard for the mainstream British film press to promote more homegrown gems like this.
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