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Iannis Xenakis has long been seen as a titan of modern composition, written about in awed tones, the subject of innumerable retrospectives. Yet why, asks Dan Siepmann, has his work for so long overshadowed non-male artists like Pauline Oliveros?
Iannis Xenakis has long been seen as a titan of modern composition, written about in awed tones, the subject of innumerable retrospectives. Yet why, asks Dan Siepmann, has his work for so long overshadowed non-male artists like Pauline Oliveros?
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