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Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
A new documentary from the Velvet Goldmine and I’m Not There director explores the singular NYC band, who existed on the fringes of society and boundaries of taste but at the epicentre of the 1960’s avant-garde scene, as Ben Gilbert explains
A new documentary from the Velvet Goldmine and I’m Not There director explores the singular NYC band, who existed on the fringes of society and boundaries of taste but at the epicentre of the 1960’s avant-garde scene, as Ben Gilbert explains
Two themes are routinely described as transformative for Primal Scream’s celebrated 1991 recording: acid house and Andrew Weatherall. But, as Ben Gilbert outlines, other factors led to an album that was both era-defining and defined by the era in which it was made
Two themes are routinely described as transformative for Primal Scream’s celebrated 1991 recording: acid house and Andrew Weatherall. But, as Ben Gilbert outlines, other factors led to an album that was both era-defining and defined by the era in which it was made
Across three decades, John Shepherd built a Nasa-style lab at his grandparents’ Michigan home to communicate with extra-terrestrials, beaming sets featuring Can, Kraftwerk and Neu! into space. Now the subject of an acclaimed film, he tells Ben Gilbert why and records an exclusive tQ mix
Across three decades, John Shepherd built a Nasa-style lab at his grandparents’ Michigan home to communicate with extra-terrestrials, beaming sets featuring Can, Kraftwerk and Neu! into space. Now the subject of an acclaimed film, he tells Ben Gilbert why and records an exclusive tQ mix
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