Half a lifetime ago, an Armenian exiled to London set the template for today's DIY musicians and raised a standard that British rap has rarely reached since. Angus Batey had a ring-side seat while Blade fought to make himself heard: he looks back on a landmark in the history of independent music
Half a lifetime ago, an Armenian exiled to London set the template for today's DIY musicians and raised a standard that British rap has rarely reached since. Angus Batey had a ring-side seat while Blade fought to make himself heard: he looks back on a landmark in the history of independent music
They may be better known these days for in-fighting and taking each other to court, but most of the surviving members of the Wu-Tang Clan have reunited for a better-than-you-might-expect LP. Interview by Angus Batey
They may be better known these days for in-fighting and taking each other to court, but most of the surviving members of the Wu-Tang Clan have reunited for a better-than-you-might-expect LP. Interview by Angus Batey
A quarter of a century ago, Diamond D and Pete Rock pioneered a new kind of artist: the rapper-producer. Angus Batey looks back on their remarkable debut LPs and wonders where it all went wrong for them, for rap, and for us
A quarter of a century ago, Diamond D and Pete Rock pioneered a new kind of artist: the rapper-producer. Angus Batey looks back on their remarkable debut LPs and wonders where it all went wrong for them, for rap, and for us
With its roots in both the avant garde and novelty music, cut & paste came of age in 1987 with the likes of Justified Ancients Of Mu Mu, Coldcut, Steinski, Bomb The Bass and M/A/R/R/S. Angus Batey traces the history of this magpie movement
With its roots in both the avant garde and novelty music, cut & paste came of age in 1987 with the likes of Justified Ancients Of Mu Mu, Coldcut, Steinski, Bomb The Bass and M/A/R/R/S. Angus Batey traces the history of this magpie movement
DJ Shadow and Angus Batey have one thing in common: neither of them are sure that Endtroducing is the former's best LP. On the anniversary of one of the most discussed electronic LPs of the mid-90s the pair discuss the merit and status of the landmark album
DJ Shadow and Angus Batey have one thing in common: neither of them are sure that Endtroducing is the former's best LP. On the anniversary of one of the most discussed electronic LPs of the mid-90s the pair discuss the merit and status of the landmark album
Angus Batey was the reviews editor on Vox when Be Here Now was released; here he lifts the lid on the sense of panic that Oasis' third album caused in the world of music journalism. But in his love for this album is he mad for it, or just mad?
Angus Batey was the reviews editor on Vox when Be Here Now was released; here he lifts the lid on the sense of panic that Oasis' third album caused in the world of music journalism. But in his love for this album is he mad for it, or just mad?
London band Teeth Of The Sea love Neil Marshall's epic Doomsday so much they've created Reaper, a live soundtrack event inspired by it. But as David Moats's feature earlier this week made clear, mainstream critical reaction to the film was anything but glowing. Avowed fan Andrew Stimpson dons a gimp mask and presents his rebuttal
With Aidan Moffat's excellent new record with Bill Wells just out, we sent Daniel Dylan Wray up to Glasgow to meet the former Arab Strap man/Quietus sex columnist to discuss his top formative albums. And, with the help of beers, a record player and one powerful deployment of the phrase "get to utter fuck", here's what he picked
Before he releases his Late Night Tales compilation, the pianist, composer and new classical ("I never liked it, but I'm stuck with it now; give me something cool like 'neo jazz'") pioneer gives Karl Smith a tour of his favourite overlooked records, by musicians "that deserve a little afterglow"
Ahead of the publication of his new collection of short stories, *Endland*, artist, writer and Artistic Director of Forced Entertainment, Tim Etchells, talks to Jennifer Hodgson about class, culture, dissonant languages, staying provincial and writing against good taste