Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
From carrying a Marvin Gaye cassette in his pocket to reciting the entirety of Easy Rider, and the glory of Psychedelic Brazil to the real Beatles, Joel Gion of the Brian Jonestown Massacre talks to Harry Sword about the 13 records that mean the most to him.
Henry Rollins is 60 on Saturday. Given how he has dedicated himself to becoming hardcore punk's most prominent renaissance man, it's become easier to forget about the music that made him. Andrew Holter chooses ten points of entry to his large and forbidding back catalogue
Ahead of an appearance at Skaņu Mežs festival in Latvia, Derek Walmsley assesses to what extent Ae are unique in the world of electronic music given their live shows represent a space of spontaneous creation while the release of live albums and radio sessions have started to feel as essential as their studio output... if not more so
Paddy Shine is one of the most relentless instigators in the underground, both as part of Gnod and in myriad other projects. Ahead of the release of the debut album by his weird folk group Moundabout alongside Phil Masterson on Rocket this summer, he guides Harry Sword through 13 vital slabs