Amelia Phillips
Album of the Week
Lead Review: Amelia Phillips On Klara Lewis’ Too
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Album of the Week
Lead Review: Amelia Phillips On Klara Lewis’ Too
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
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Books
Immigration As Erasal: On ‘Signs Preceding The End Of The World’
Pete Mitchell considers Yuri Herrera's Signs Preceding the End of the World — the author's only full-length work currently translated in to English — in the light and shadow of its macho, othering, counterparts in Anglophone border fiction, as well as its translated contemporaries, and the spectre of that last great imaginary line in the sand
Baker's Dozen
Songs Are Powerful Things: Marry Waterson’s Baker’s Dozen
Marry Waterson might have been born into a folk dynasty but that didn't stop her becoming a biker. With a new LP out and her mother and uncle's Bright Phoebus LP recently reissued, she guides Jude Rogers through 13 favourite LPs from The Beatles to The Band and Billie Holiday
Baker's Dozen
Unshakable: Nonpareils’ Aaron Hemphill’s Favourite Albums
From underage drinking soundtracked by Germs to the ton-of-bricks hit of Prince And The Revolution, via classics in hip hop, goth, easy listening and metal, former Liars and current Nonpareils musician Aaron Hemphill takes Luke Turner through an eclectic Baker's Dozen
