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Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
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