The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
In an exclusive extract from his new book, *Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego*, author Bill Perrine describes the heady atmosphere of early 1970s California that led to a new era in the work of one of America's most adventurous composers