Combining classical music, metal, and hand-built instrumentation, Sarahsson’s wildly inventive debut album The Horgenaith explores femininity, bodily transformation and nature via Cronenbergian horror. An exciting new force in Bristol’s thriving avant-garde, the composer speaks with Alastair Shuttleworth in her first ever interview
Combining classical music, metal, and hand-built instrumentation, Sarahsson’s wildly inventive debut album The Horgenaith explores femininity, bodily transformation and nature via Cronenbergian horror. An exciting new force in Bristol’s thriving avant-garde, the composer speaks with Alastair Shuttleworth in her first ever interview
Gary Numan’s hard-won return to the peak of his creative powers and commercial success has been driven by an intense 15-year partnership with his musical foil Ade Fenton. They speak to Alastair Shuttleworth in their first ever joint interview
Gary Numan’s hard-won return to the peak of his creative powers and commercial success has been driven by an intense 15-year partnership with his musical foil Ade Fenton. They speak to Alastair Shuttleworth in their first ever joint interview
Inhabiting myriad identities to build an enormous catalogue of experimental music, Matthew Loveridge’s fascinating career was briefly paralysed by personal hardship. As he returns, Alastair Shuttleworth speaks to the enigmatic composer about anhedonia, abrasiveness, and the difficult birth of his new masterpiece
Inhabiting myriad identities to build an enormous catalogue of experimental music, Matthew Loveridge’s fascinating career was briefly paralysed by personal hardship. As he returns, Alastair Shuttleworth speaks to the enigmatic composer about anhedonia, abrasiveness, and the difficult birth of his new masterpiece