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As two major exhibitions in Norwich explore the life and work of WG Sebald, Adam Scovell looks at his writing and photographs and uncovers fears at the circular nature of history that chime with contemporary anxieties. Photographs courtesy of Norwich Castle Museum. Colour portrait of Sebald by Basso Cannarsa.
As two major exhibitions in Norwich explore the life and work of WG Sebald, Adam Scovell looks at his writing and photographs and uncovers fears at the circular nature of history that chime with contemporary anxieties. Photographs courtesy of Norwich Castle Museum. Colour portrait of Sebald by Basso Cannarsa.
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
With Brexit looming on the horizon like a, well, a massive wicker man, writer Adam Scovell, author of the forthcoming book Folk Horror: Hours Dreadful And Things Strange, looks back at Robin Hardy's 1973 cult classic and finds surprising parallels between it and our current political predicament
With Brexit looming on the horizon like a, well, a massive wicker man, writer Adam Scovell, author of the forthcoming book Folk Horror: Hours Dreadful And Things Strange, looks back at Robin Hardy's 1973 cult classic and finds surprising parallels between it and our current political predicament
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