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In this month’s Genre is Obsolete, Adam Lehrer dives into new records by artists like GRIM, Crazy Doberman, Dial and more, while discussing noise music’s enduring status as an unusually independent and DIY economy and culture
In this month’s Genre is Obsolete, Adam Lehrer dives into new records by artists like GRIM, Crazy Doberman, Dial and more, while discussing noise music’s enduring status as an unusually independent and DIY economy and culture
In the fluid chaos and genre bastardization of noise, industrial, drone, no wave, and numerous forms of warped electronic music, Adam Lehrer finds an appropriate artistic embodiment of the condition of liquid modernity
In the fluid chaos and genre bastardization of noise, industrial, drone, no wave, and numerous forms of warped electronic music, Adam Lehrer finds an appropriate artistic embodiment of the condition of liquid modernity
Formed around a core originally recorded in 2014 at the Cornerhouse, Manchester, Jan St. Werner of Mouse on Mars channels the voice of the late Fall frontman on Molocular Meditation, with uncanny results, finds Adam Lehrer
Formed around a core originally recorded in 2014 at the Cornerhouse, Manchester, Jan St. Werner of Mouse on Mars channels the voice of the late Fall frontman on Molocular Meditation, with uncanny results, finds Adam Lehrer
On her new album CALIGULA and the performances behind it, the Providence-based extreme musician LINGUA IGNOTA shares more than a passing similarity with the late transgressive fiction writer Kathy Acker, says Adam Lehrer, reporting from Brooklyn
On her new album CALIGULA and the performances behind it, the Providence-based extreme musician LINGUA IGNOTA shares more than a passing similarity with the late transgressive fiction writer Kathy Acker, says Adam Lehrer, reporting from Brooklyn
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