Christian Eede's final Hyperspecific column of 2018 sees him offer up an unordered, non-exhaustive round up some of the year's best electronic music, featuring rave music from Eris Drew (pictured), kick drum-less techno from Barker and dancehall mutations from Simo Cell and Low Jack
Combining classical music, metal, and hand-built instrumentation, Sarahsson’s wildly inventive debut album The Horgenaith explores femininity, bodily transformation and nature via Cronenbergian horror. An exciting new force in Bristol’s thriving avant-garde, the composer speaks with Alastair Shuttleworth in her first ever interview